… I can’t refrain from posting to the latest gem at Vigilant Citizen, wherein grating and (hopefully) ephemeral British pop clothes-horse Jessie J is revealed as the latest in a long line of Illuminati sock-puppets (presumably taking over on point from the high mistress of meat-couture, Lady Gaga), acting out their smug boasts of complete mind-control over the population through the medium of, er, pop music [via No Rock’n’Roll Fun]. Honestly, you’ve gotta love this stuff, even if it ticks every box on the checklist:
At first glance, the song has a noble message regarding the love of music winning over the love of money. What better way to convey this revolutionary message than with a mainstream, gimmicky, formulaic and made-for-radio pop song which strategically features today’s hottest crossover rapper. Alright, that might be harsh, but it illustrates the fact that there is a lot of cognitive dissonance involved with this song. Although its message is about the un-importance of money and embracing individuality, the single is obviously calculated to get the most radio play possible, while constantly depicting the artist as a puppet or toy.
Hailed as the “new face of pop”, Jessie J brings new energy to the Illuminati agenda, but she still repeatedly flaunts the One-Eye sign like so many other pop acts, proving that she is another pawn of the system. She sings the point of view of the elite: It does not need your money, it already owns most of the world’s resources. It wants to make the world dance to its beat. It wants to shape and mold the youth to think the way it wants it to think. We are witnessing an important movement of homogenization of popular culture where mainstream media is only playing a limited number of “pre-approved” artists who push a “pre-approved” agenda. So, yeah, the video is saying, you can keep the price tag. There is a bigger investment at stake here: the minds of the youth. Of course, there are exceptions within the industry. Anti-establishment rebels have always attracted tons of fans and some still manage to obtain some success … but not with the help of mass media. Not anymore. Money is not the only thing ruling the business.
Last time I looked, money was deserting the music business… but of course, that’s just what they want me to think. Remember, kids: Occam’s Razor is a red herring!
2 thoughts on “Because I still have a soft spot for whack-job conspiracy theorism…”
“Anti-establishment rebels have always attracted tons of fans and some still manage to obtain some success … but not with the help of mass media. Not anymore.”
Uhhhh… schizotypal conspiracy apophenia aside, I think comrade Citizen is suffering from retrograde amnesia, as he’s failing to see the mass irony in that statement. I can’t recall the mass media promoting truly anti-establishment artists with the exception of pseudo-revolutionary Hot Topic-rebellion that mostly amounts to self-mutilation of the wrist and refusing to do one’s algebra II homework. This follows since the mass media, um, kinda *is* the establishment, and from the ruthless Genghis Kahn-grade stranglehold they attempt to maintain on the fragmenting recording-indusrial complex, they’re exceedingly desirous, if not skillful at self-preservation. Supporting anti-establishment artists is anti-that.
I need an AI to respond intelligently to these knuckleheads every single fraggin article.
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