Futurismic

As much as I have high hopes for the future, sometimes it seems that “the future” is just a place where you can buy a wider and weirder range of things more quickly and conveniently than before. This doesn’t just apply to us consumer types, either; the mechanics of business are being shortened and tightened and streamlined constantly. Speed is everything. We need it yesterday!

So, you’re building a new model of car (or cooker, or genetically modified guard-armadillo), and you need to get some instant credibility for it before your product launch next week. You need a celebrity endorsement, stat! But don’t they take ages to arrange? Not any more…

Brand Affinity’s goal is to automate the process by which marketers offer contracts to athletes, along with the process by which ads featuring those endorsers are created and produced. The Web site promises that those transactions will take no more than 96 hours.

It provides “a quick turnaround for something that would normally take months,” Mr. Brees said. “A company can contact a player, come to an agreement and the next day the ads could be up.”

That fast pace, said Brian Bos, senior vice president and convergence director at Team Detroit — the alliance of WPP agencies that work for Ford Motor — “reduces risk and provides flexibility, because you’re not tied into long-term deals.”

[...]

Athletes are “human capital brands,” said Ryan Steelberg, president and chief executive at Brand Affinity in Irvine, Calif., who share in an estimated $3 billion paid each year to celebrity endorsers.

Although “the days of someone right out of the draft getting a multimillion-dollar shoe deal are over,” Mr. Steelberg said, large sums are being spent on the handful of big sports names, active and retired, who appear in multiple campaigns.

“Relative to the cost of the superstars, you could potentially activate 5, 10, 25” players who are popular in local or regional markets, he added.

Now, that’s a strong modern business model right there. You’re trading in the currency of celebrity, which (sadly) shows little sign of decaying in perceived value, despite being based on a nebulous social concept whose hollowness is revealed on a daily basis; you’re using the web for swift brokerage and expediting; you’re offering a national service tailored to localised needs. You’ve bolted yourself as middleman onto the Long Tail of celebrity. [via TechDirt]

As pointed out in the article there, the biggest plus point of Brand Affinity’s service is its fine-grain duration scale. No need to risk a lot of money and kudos on a season-long campaign with a particular jock or clothes-horse; keep an eye on trending topics for rising names, jump on ‘em when they’ve got enough cachet to give your product a boost, and drop ‘em like a hot potato when their star slips out of the ascendant. In a world where fame burns brighter for ever shorter periods of time, that’s a system with a lot of appeal for the marketing and branding wonks… the sort of thing Leggy Starlitz might have stumbled into had he spent longer in the States, perhaps.

There aren’t many business methods worth copying from the record business at the moment, but should book publishers be trying to work more like record labels? Over at the if:book blog, one Bob Stein thinks there’s something to be learned from the days when books had a distinctive look that immediately identified their publisher as well as the author:

I find myself thinking a lot about what i call the “Foyles” model. in the not too recent past Foyles in London shelved books, not alphabetically by subject or genre, but by publisher such that there was the Penguin section and the Bloomsbury section. For a more recent example, video stores usually shelve Criterion titles on their own — precisely because of the power of the brand. From this perspective I see two sorts of physical store plays — one could open a completely new sort of superstore . . . . where publishers, like perfume companies, effectively rent space to show their wares (fulfilling in some cases with actual books but also via POD and online). The second is a publisher branded cafe/store…

It’s not that crazy an idea, really… it’s pretty evident the current book-barn approach isn’t working so well. Perhaps I’m more attracted to the idea through being a genre reader, where publisher trust is stronger and more focussed: I’m statistically more likely to be interested in a book published by Gollancz or Tor than I am one from Penguin or Bloomsbury, for instance.

Visual branding plays a part, too, as pointed out by Joanne McNeill at Tomorrow Museum:

If there were a Tony Wilson of publishing, you bet I would buy every book printed…

Well, yes!

This all ties in rather neatly to Jonathan’s Blasphemous Geometries column from December last year, where he suggested that someone should give science fiction the Criterion Collection treatment. And there’s a new column from Mr McCalmont due later today, as it happens…

How strongly does a book’s publisher influence your likelihood to buy that book, if it’s by an author you’re not familiar with? And what about packaging? I rather liked the look of the Gollancz Future Classics collection, but I know a lot of other folk found them ugly or odd.

OK, this is a fairly short three minutes of video but it’s not available in an embeddable format, so please take a moment to watch a chap called Martin Lindstrom talking about his somewhat controversial research, in which he brainscans consumers while showing them images of religious iconography in between logos of the biggest  and most auspicious lifestyle brands.

Now, the comparison of brand loyalty and religion is far from being a new idea (didn’t Ballard write some stories around something like that?), but I’ve only ever encountered it as a literary metaphor; to see that the advertising industry is researching it in detail isn’t surprising so much as it is a little alarming. [image by laverrue]

The marketing business focusses on what actually works; if something doesn’t get a good ROI, it gets passed over in favour of something that does. Meanwhile, over the course of centuries, the major religions have evolved an astonishing ability to extract loyalty, unswerving devotion and financial contributions from their adherents… which must make them a fairly appealing business model to emulate, no?

Brand loyalty and conspicuous consumption are old news – you can see it on any street in any city in the world, with people wrapped in logo-blazoned clothing (be it genuine or fake). So is the notion that word-of-mouth is the best form of marketing there is. The “street team“, however, is comparatively new, as are social networks… but they can (and probably will) converge with the preceding phenomena very quickly indeed once the right brain-triggers have been unearthed.

Are we ready for brand evangelism? If you find the doorstop importunings of your local church an intrusion, how will you cope with people dropping by to ask “whether you’ve thought about Harley-Davidson today?” [via No Fear Of the Future]

This month in Blasphemous Geometries: what lessons can be taken from the successful branding of classic cinema and applied to science fiction literature?

Jonathan McCalmont suggests that repackaging the masterworks of the genre with a side serving of serious critical examination might add a cachet to science fiction which it has previously struggled to attain.

Continue reading “Giving Science Fiction the ‘Criterion Collection’ Treatment”