Strike | Futurismic

Striking writers look to open new internet ventures

Tomas Martin @ 21-12-2007

Whilst I’ve talked in the past about the future of online content, it appears for some writers an internet based career is rapidy becoming present, not future. The LA Times reports that a number of the writers and creators involved in the Hollywood writer strike are in talks with venture capitalists and advertisers about creating their own content sites. It may be that if this strike continues long enough, some writers may not come back at all to the studios. It’s also interesting to note that the words quoted most by the writers invovled is ‘United Artists’, the organisation that structured good deals for creators way back in Hollywood history.

On the web, there’s also a good round table discussion featuring Tobias Buckell, Pyr editor Lou Anders and David Louis Edelman at SF Signal about the use of the internet to promote writers via community, rather than advertising. Charles Stross also had a good rant about the idiocy of the Kindle earlier in the month.

The writer as entrepreneur

Paul Raven @ 22-11-2007

The WGA writers’ strike rolls on, pitting the justifiable desire of creatives to be paid a fair deal for the fruits of their labour against the same sort of grasping tactics that are causing the music industry to eat itself like a cancer. [Image by NoHoDamon]

While I’m supportive of the writers’ position on this issue, I’m intrigued by the outsider opinions. Techdirt points us to an LA Times article discussing the rise of alternative financing models in the movie industry, and suggests that if the big studios stick to their guns they will actually hasten their own demise by creating an environment where smart and talented writers can bypass the traditional system and take their scripts straight to the market, funding their productions using a venture capital process similar to that used by technology startups.

Now, I’m not an economist or a script-writer (and nor do I play either of them on television), but I find the underlying logic of this idea appealing - it seems to be a business model that fits the internet age. But then TechDirt, as fascinating a read as it is, is very much biased toward the independent operator/startup philosophy (as demonstrated by its previous coverage of the WGA strike). Perhaps this idea places too much of a burden on the writer - whose job is, after all, to write. But then again, it’s an accepted truism that novelists must self-market if they hope to be successful, even with the support of a publisher.

I guess only time will tell. But from my personal point of view, a significant lessening of the corporate homogeneity of Hollywood could only be a good thing - it might result in a movie industry that produces more than one film every year that I can actually be bothered to go and see.