Futurismic

If modern gaming is all about escapism, why do we choose to escape to virtual worlds that contain so many of the negative pressures of the world we’re trying to leave behind?

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I’d like to begin this column by discussing escapism. Describing something as “escapist” has always struck me as something of a back-handed compliment. A tacit (and sometimes dismissive) acknowledgement of a work’s lack of topicality or verisimilitude coupled to an attempt to shift the critical yardstick from the aesthetic to the psychological : Yes, we know that this film/game/book is all about giant stompy robots hitting each other but it scratches an itch that we, the audience, need scratching.

The itch in question is the need to escape from an increasingly inhospitable 21st Century existence; an existence filled with long commutes, unpaid mandatory overtime, credit card bills, mortgage foreclosures, unemployment, failed relationships and the plethora of modern-day worries, problems and fears that many choose to medicate with alcohol. People justifiably want to escape to a world that is less oppressive and miserable. This explains why the grand-father of escapist fiction is J.R.R. Tolkien and not Jean-Paul Sartre. Continue reading “The Iron Cage of Fantasy: World of Warcraft, City of Heroes and Fable II”

This month Blasphemous Geometries turns a conceptual corner, as Jonathan McCalmont decides to refocus the critical crosshairs on video games.

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Back in the 1930s, a number of physicists (including Einstein) argued that our universe is oscillatory. What this meant was that after the Big Bang, the universe expands until it reaches a certain level of density and gravitational pull, at which point it begins to contract until it ends with a Big Crunch. This idea still has some devotees. However, what made the Oscillatory Theorists interesting was the belief that after the universe had contracted back to its original singularity, it would then bounce back again; expanding until its physical limits were met and another Big Crunch was initiated. This meant that, according to the Oscillatory Theorists, the universe was stuck in a cycle of eternal destruction and rebirth. This has always struck me as a rather useful analogy for certain internet debates. “Is Science Fiction Dying?” is one such debate but another is “Where is the Lester Bangs of Video Games?”. Continue reading “The criticism of video games”

Sins of A Solar Empire by small independent game company Stardock (and their developers Ironclad) is the biggest selling pc game of 2008 so far, despite a tiny budget and much less coverage by the gaming press.  Stardock owner Brad Wardell posted an excellent analysis of why their games are having success. (last year’s Galactic Civilisations II was another underground hit.)

He talks a lot about the bad policies taken by much of the PC game industry. For example, why bother targeting the Chinese market when piracy is so rife many people won’t purchase your game? His main point, and it’s a very good one, is that very few people upgrade their computer often so targeting the graphics of your game to only work for the ‘hardcore’ pc gamers is limiting your market. Rather than trying to break the latest processor if you just make a game that’s fun and works on most computers people will play it.

Sins is a fun game that combines the 4X ideas of ‘eXplore, eXpand, eXploit and eXterminate’ of games like Civilisation with Real Time Strategy elements of space games like Homeworld. I’ve enjoyed myself whenever I’ve played it but what’s even more impressive is the attitude of the people behind it – updates are frequent, there’s no DRM, the developers comment frequently on the game’s forum and they listen to requests from players about bugs and new features. In an industry full of high budget Hollywood games, it’s comforting to see that small companies can be a big success if they just concentrate on pleasing their audience.

Online video game magazine The Escapist, home to the hilariously funny animated review column Zero Punctuation, has the theme of space for its 136th issue. They talk about why the starfighter genre appears to have died down since the heyday of X-Wing vs Tie Fighter and Wing Commander and about how science fiction is, although often set in the future, a commentary about now.

Although the space combat genre is in a lull right now, space strategy and so called ‘4X’ civilisation games are enjoying some underground success thanks to the efforts of indie games publisher Stardock, which produced the critically acclaimed Galactic Civilisations II last year. Its latest release, Sins of a Solar Empire, came out this month and combines Real Time Strategy elements of controlling fleets of spacecraft as well as exploration and colonisation. Currently holding a very respectable 87% average on Metacritic and impressing this writer enough to squeeze it into my schedule, games like this and Will Wright’s forthcoming evolutionary Spore are showing that maybe there’s a future for space in video games after all.

[Sins Of A Solar Empire screenshot via IGN]

The military and video games have had a long history together, going back to flight simulators before WWII.  Of course, there’s been America’s Army, but that was a recruitment tool, a way to gloss over the downsides of the Army, namely the permanency of death and having to follow orders.

So where are our “Nintendo soldiers”?  Turns out they’re currently working on a suitable training simulation for the US Army.  Heck, there’s even a trade magazine devoted to these simulators.

The question isn’t “what are these simulators?”, but “what are they not?”  Well, they’re not going to teach you how to shoot and they won’t get you buff.  What they will do is provide tactics lessons in a classroom environment that can then be put to use on the training grounds.  For more info on the what and why, check out this essay by a training games company, and this paper from the National Defense University.  They’re not just random commercial games slapped together, but designed from the ground up to meet training demands.

I’ve played FPS games online since the good ol’ days of Doom II.  And with some of the squad-based ones simple tactics can make or break your game.  Me?  I charge in and promptly die.  And then proceed to do it again.

(via DailyTech)  (image from renato guerra)