Stage adaptation of stories by Bradbury, Lem, Malzberg and Pronzini at NYC Fringe


I’ve recently been falling down on my self-appointed task of keeping track of SF-related stage productions for you, but here’s a fresh one: There Will Come Soft Rains, a stage adaptation of several classic science fiction stories by Ray Bradbury, Stanislaw Lem, Barry N. Malzberg, and Bill Pronzini. (Via SF Scope.)

The 90-minute play will be presented as part of the 11th annual New York International Fringe Festival. From the press release:

To bring the stark, powerful imagery of these stories to the stage, director/adaptor Jon Levin (recently singled out by for his “remarkable” puppet work) uses a combination of bunraku-inspired puppets, object manipulation, dance, live music and a versatile ensemble of performers.

The FringeNY site is more direct:

Stories by Ray Bradbury and others are told with actors, puppets, lightbulbs, bedsheets, live video and an upright bass.

Director/adaptor Levin says,  “There’s something inherently theatrical about a certain kind of science fiction. The stories are a reflection of our world, a way of seeing familiar things in a new light.”

Here’s a review of There Will Come Soft Rains when it was a work in progress at Oberlin College.

There Will Come Soft Rains runs at The New School for Drama Theater (151 Bank Street, between West and Washington Streets, New York, New York) on Friday, August 8 (10 p.m.), Wednesday, August 13 (7:30 p.m.), Sunday, August 17 (4:15 p.m.), Thursday, August 21 (5:15 p.m.) and Saturday, August 23 (7:30 p.m.). Tickets are $15 and are available by calling 866-468-7619 or visiting

(Image: There Will Come Soft Rains poster)

[tags]plays, theatre, science fiction, short stories[/tags]

One thought on “Stage adaptation of stories by Bradbury, Lem, Malzberg and Pronzini at NYC Fringe”

  1. I saw this on opening night. It’s nice to see someone who understands that Sci-fi is about the theoretical ways in which technology changes our understanding of the world. I don’t know why they included the Malzberg/Pronzini piece, but the Lem and Bradbury were beautiful.

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