Over half a year after the publication of the Shine anthology, Charlie Stross wonders whether we need more optimistic utopian thinking in science fiction, and indeed in general:
The consensus future we read about in the media and that we’re driving towards is a roiling, turbulent fogbank beset by half-glimpsed demons: climate change, resource depletion, peak oil, mass extinction, collapse of the oceanic food chain, overpopulation, terrorism, foreigners who want to come here and steal our women jobs. It’s not a nice place to be; if the past is another country, the consensus view of the future currently looks like a favela with raw sewage running in the streets. Conservativism — standing on the brake pedal — is a natural reaction to this vision; but it’s a maladaptive one, because it makes it harder to respond effectively to new and unprecedented problems. We can’t stop, we can only go forward; so it is up to us to choose a direction.
We need — quite urgently, I think — plausible visions of where we might be fifty or a hundred or a thousand years hence: a hot, densely populated, predominantly urban planetary culture that nevertheless manages to feed everybody, house everybody, and give everybody room to pursue their own happiness without destroying our resource base.
Because historically, when a civilization collapsed, it collapsed in isolation: but if our newly global civilization collapses, what then …?
Compare and contrast with this post from Jetse de Vries written during the Shine submissions period, as writers supplied reason after reason for why they couldn’t – or wouldn’t – write an optimistic piece:
In the real world, people face those huge challenges (overpopulation, war, environmental degradation, pollution, greed, climate change and more) and try to overcome them. In the real world, the majority of people are optimistic. So why isn’t SF trying to address these huge problems in a near future SF story (not use them for implementing the next dystopia, but try to fix them, try to do something about them)? Why is SF extremely reluctant to feature an upbeat outlook?
Imagining things going bad, technologies grossly misused, the world going down the drain is so goddamn easy that everybody’s doing it. So if almost everybody’s already doing it, then why do we need to keep stating the bleedingly obvious? Maybe some of that creative energy, that imaginative potential might be used for envisioning a solution?
Furthermore, with the amount of cautionary tales going around in SF today, we should be well on our way to paradise, as we’re being told ad nauseam what not to do. Imagining things going wrong is easy; imagining things improving is hard. It’s easier to destroy than create. I’m sick and tired of writers demonstrating five thousand different ways of destroying a house: I long for the rare few that show me how to repair it, or build a better one.
There’s an obvious difference in character here (Charlie is being rather more cautious and diplomatic than Jetse, perhaps), but it looks to me like they’re both driving toward the same destination by slightly different philosophical roots… and Jetse himself calls out Charlie’s piece as a vindication of the Shine project (albeit a somewhat belated one).
So let’s raise a recent ghost after a long year of tough times all round, and ask again: should science fiction be trying harder to think positively about the future?
And if not, why not?