Tag Archives: writing

Online publishing: how can we do it right?

Clarkesworld produces regular quality online fictionAs you may have noticed, Paul has been putting lots of links to other online fiction markets over the last week or so – we hope to encourage people to read the stories from all over the interweb. The topic of internet vs traditional publishing has been sweeping the sf blogosphere recently and there are some superb opinions on the subject. Some notable contributions include Erin Hoffman at Homeless Moon, the editor of Clarkesworld, Tobias Buckell, Booksquare on the viability of the iphone as a ebook reader, Paolo Bacigalupi’s superb 5-part critique of the state of the current print mags. Heavyweights John Scalzi, Cory Doctorow and Warren Ellis all helped start the debate.

The print medium hasn’t had such a quick transition into the internet world of the twentieth century, giving it the advantage of seeing how badly its brethren in the music and film industry have dealt with change. By stubbornly trying to hold on to old business models and suing many of those uptaking new technology, music and film executives alienated large quantities of their target audience and only recently has there been movement towards a sensible model. As digital paper and ebook readers get closer to producing an enjoyable reading experience, editors and authors will have to adapt to the digital age too.

The print digital revolution has the advantage of hindsight – we’ve seen how badly avoiding the idea is and have some element of time to start thinking about alternatives. Whether by email weekly story subscriptions, ebook purchases, tipjars for individual stories or community collection before posting, the internet is offering alternatives. I’d be interested to know what Futurismic readers feel about the debate. Of course, we can’t move to a new writing paradigm if people aren’t reading – so travel to some of the links on the side and read some of the great SF out there on the internet already!

[via Tobias Buckell, image from the latest cover of Clarkesworld magazine]

The Future Fire e-zine’s Second Life short fiction contest

Wow! Here’s a bit of news that combines two of my favourite things – short-form speculative fiction and Second Life.

Cover art for issue 9 of The Future Fire

The Future Fire is a UK-based speculative fiction e-zine, and they’ve just released their ninth issue as a free-to-download PDF file. Normally that would just be a prime candidate for a Friday Free Fiction mention, but there’s a little extra involved this time round.

The Future Fire is running a short fiction writing competition … but with a twist. Take it away, editor Djibril:

"… in this issue, we launch the The Future Fire / Black Swan writing competition with a first prize of $500.

"There’s a small technical barrier to entry, but no cost involved: the contest requires you to register and enter the Second Life virtual world and visit the Black Swan sim, which is a spooky, atmospheric island with a raised pathway, sculptures, events, and inhabitants.

"Visit for as long and as often as you like, and then write a story of up to 2,000 words inspired by your experience and submit it to The Future Fire by midnight on December 10th 2007."

Full details (and the SLURL for The Black Swan) can be found on The Future Fire‘s website.

So, all you writers who have yet to investigate Second Life, now you have a great excuse! Drop me an email if you’d like some guidance from someone who knows the lay of the land.

Thanks to Ariel at UK SF Book News Network for the heads-up.

[tags]writing, competition, short, story, Second Life[/tags]

Twenty fiction-writing blunders to avoid

Aspiring (and possibly even experienced) fictioneers should take a look at E. E. Knight’s list of twenty mistakes that are made frequently by story writers. Not only informative, but delivered with a bit of quality sass, too. My favourite is his re-statement of the "Chekhov’s Gun" rule:

"10 – Beaming in: I get confused when characters, gear, and important features suddenly appear mid-scene. It’s one thing for Sam Spade to reach into his bottom desk drawer and pull out a cached bottle of whiskey, you’re showing where the object came from. It’s quite another for you to suddenly mention that there was a German bayonet war trophy in plain view atop the filing cabinet in the middle of a fist fight."

[tags]writing, fiction, tips, rules[/tags]

Friday Free Fiction for 24th August

The times, they are a’changing, as Dylan once whined. Nowhere is that more true than in genre fiction publishing, it seems, with some interesting examples of new delivery systems among this week’s free reads:

At Manybooks.net, they’re rocking the old-school sf novels for free: Gordon Randall Garrett and Laurence Randall Janifer’s The Impossibles and Supermind, to be precise.

Free Speculative Fiction Online list a whole batch of newly available works; go and see, and give the gift of traffic.

Pete Tzinski (of Blood, Blade and Thruster magazine fame) is blogging an online fiction serial called God in the Machine. (As a side note, I reckon this will be one of the fiction formats of the future, so I’ll be watching closely to see how this does.)

The webzine Byzarium returns from the metaphorical wastelands of the intarwebs, complete with their archive of previous material. All new material will be for paid subscribers only – another interesting potential business model for short fiction online.

Classic free pulp-era science fiction: Edmond Hamilton’s “The Man Who Evolved”.

Don Sakers is inviting people to subscribe to his latest ongoing Scattered Worlds novel, Hunt for the Dymalon CygnetHunt for the Dymalon Cygnet. You can read everything that’s been published already for free, and then sign up to get the latest parts before anyone else.

Here’s Paul McAuley’s short story “Gene Wars”.

The first stages of Subterranean Magazine‘s Fall 2007 issue have started to appear – columns, audiobooks and fiction by the big guns of the genre, costing you nix.

Electric Velocipede’s John Klima has Ezra Pines’ story “Antevellum” available as a PDFread about this satire on Hal Duncan at the EV blog, then grab the file.

And a few bonus tidbits for the writers among the readers:

Nick Mamatas on the scene break, and why you shouldn’t overuse it.

Futurismic’s own Jeremiah Tolbert shares a nugget of wisdom on “the holy math of story”.

Enjoy!


Writers, editors and anyone else – if you want something you’ve written or published on the web for free mentioned here, drop me (Paul Raven) an email to the address listed for me on the Staff page, and I’ll include it in next week’s round-up.

Career advice for writers, by writers

My feed reader is full of useful advice for writers once again, so I thought I’d share the wealth:

Jeff Vandermeer’s Evil Monkey delivers the second short sharp installment of his Guide to Creative Writing:

“Alas, market predictions aren’t like assholes, because everyone has two or three, and they usually serve little purpose.”

Luc Reid tries to nail down what it is that makes certain stories rise from “good, but not quite what we’re looking for” to “sold”:

“So what makes a story rise above its fellows, inspire love, stand out? The intuitive response would be that it does the things we talked about better. The characters are stronger, the plot is more compelling, the description is more vivid. But usually standing out is going to mean something else, and it’s going to differ from writer to writer and sometimes from story to story. The stories that rise above are not just more competent than the stories that don’t, although more competent is always better.”

Moving beyond the writing itself and into the territory of promotional work, Charlie Stross explains the dos and don’ts of public readings with his usual dry humour:

“The water jug isn’t an optional extra. I usually take the precaution of bringing along a drink of some sort, simply because my throat dries out after ten or fifteen minutes of speaking and if I’m scheduled late in a day of readings, the folks providing supporting facilities such as jugs of water tend to be getting a bit erratic themselves.”

And finally, David Louis Edelman has some advice on how to self-promote with ethical integrity:

“3. Avoid glaring sins of omission. This is a difficult guideline to follow, because it’s very subjective. Don’t use ellipses to claim that your book is “an absolutely terrific… thriller” when the actual review states that your book is “an absolutely terrific example of what not to do when writing a thriller.” Don’t try to sell to a group of Vietnam vets by claiming that your book has a Vietnam vet in it, while conveniently forgetting to mention that said character gets run over by a truck on page 4.”

Ah! The intarwebs: helping aspiring writers (to avoid writing by supplying them enough advice from genuine writers that they can convince themselves reading it is a more valuable way to spend their time than actually writing) since 1997!

[Cross-posted to VCTB]