Eat meat, kill planet

I’ve always struggled with ethical arguments for vegetarianism*, but bio-economic arguments have a pragmatism that I find myself responding to. In a repeat of a riff that I’ve heard a few times in years previous, Ars Technica has an article discussing a report from the Intergovernmental Panel on Climate Change which suggests that livestock farming is very close to the point of being ecologically sustainable.

Given the source, some of you will no doubt dismiss the concern out of hand… but it’s interesting to note that, yet again, the blame is laid at the feet of the Western world in general, and the US in particular. A liberal-left conspiracy to take The Empire down a peg or two? Or perhaps just an inconvenient truth: there’s only so much planet to go round, after all, and whatever justifications you choose to use, there’s no denying that the West consumes a disproportionate amount of the resources available.

As of the year 2000, the livestock sector—meat, egg, and milk production—is estimated to have contributed 18 percent of anthropogenic greenhouse gas emissions and 63 percent of reactive nitrogen mobilization, and to have consumed 58 percent of net primary productivity. We are already coming dangerously close to the safe operating space in all three areas. If we continue eating animals at the same rate we do now, this model predicts that these figures will rise by 39, 21, and 36 percent, respectively, until the livestock sector uses most of, or exceeds, our safe operating spaces.

So, what to do?

Based on their results, the authors suggest that “reining in growth of this sector should be a policy priority.” They suggest a number of ways to accomplish this. One is to make livestock production more resource-efficient, which is feasible at the level of feed crop production and more cycling of animal manure in lieu of synthetic fertilizers. Another is to encourage people to eat more poultry and fish rather than beef to meet their dietary protein requirements.

Unfortunately, consumption of meat is currently at twice USDA-recommended levels. Americans have not yet cut down, even thought we know it’s better for our bodies and better for our wallets; it seems doubtful that we would therefore cut down just because it is better for the Earth.

AT points out that the grim storm-cloud on the horizon here is the prospect of increased demand for meat protein in developing nations… which echoes some of the more popular justifications for refusing to limit carbon emissions (“well, they’re not going to slow down, so why should we?”). I’m increasingly convinced that, thanks to the politicising of environmental issues, the only thing that’s going to force a behavioural change on a large scale is economics: we’ll all start eating less meat (and driving more efficient vehicles) when we can no longer afford – as individuals, and as communities – to maintain our current habits.

Whether those economic factors will kick in early enough to prevent the nasty side-effects of running up against resource limits (we’ve had oil wars already, food wars are starting to show, and water wars are a not-too-distant inevitability) remains to be seen. It’s an ugly gamble to have to make as a species, but I rather suspect we’ve left ourselves little other choice.

[ * And there’s my own selfishness, lest anyone think I’m putting myself on some pedestal of righteousness here; the underlying problem with working against the prospect of ecological catastrophe is that we’re all complicit in it, which leads to the inevitable fusillade of finger-pointing as we all try to find someone more at fault than ourselves. Here’s hoping for Doug Coupland’s promise of a species-wide sense of culpability; sooner we get it into our heads that we’re all in the same boat, the sooner we can start solving problems. ]

Piracy cutting into the comics industry, too

It’s not just regular book publishers who’re suffering from an increased demand for downloadable content; the comics industry is suffering too. I noticed some justifiably embittered tweets from UK comics writer Paul Cornell this Friday just gone:

Just saw download site with 2356 illegal downloads of Knight and Squire. You have no idea how angry that makes me. Bloody thieves. #

Just heard: average number of illegal [comics] downloads = *four times* legal sales. That’s why your favourite title got cancelled. No margin left. #

I’d be interested to know if the piracy of novels is happening on a similar scale to that – if anyone has a source of reliable stats and numbers, please pipe up! But I rather suspect comics is getting it far worse when considered as a percentage of total sales, and a number of possible reasons present themselves: the comics demographic is younger and more tech-savvy (and hence more used to the idea of there being a free version lurking somewhere in the pipework); scanning a comic is an easier and shorter process than OCRing a novel (and less susceptible to transcription issues); and comics (the print versions, at least) are ridiculously expensive, with limited availability of legit digital versions.

The latter issue is probably the big driver here; I don’t know much about comics industry pricing (and, again, would welcome input from anyone who does), but I sure know what stopped me from buying a few issues every month*. Whether the pricing is justified or not is an open question, but regardless of the reasons, it’s a lot of money for such a small (though beautifully-formed) nugget of art; however, I’m not sure that comics prices could be lowered radically enough to enable the big houses to carry on as they are. It’s a more plausible solution for the music industry (and is finally starting to be seen as such by people on the inside of the machine [via]), but comics aren’t so easily reproduced as infinite goods.

Or are they? Via MetaFilter, here’s an interview with Neil Gaiman where he discusses the experience of reading comics on ereaders, and the phase-change occurring in the comics landscape:

Perhaps I don’t have the allegiance to paper that I ought to because anybody who invests in The Absolute Sandman, all four volumes, is now carrying 40 pounds of paper and cardboard around with them. And they hurt and they complain, “Oh, I feel guilty.” And I look at it and go, you’re not getting anything that is quantitatively or qualitatively better than the experience you’d be getting on an iPad, where you can enlarge the pages, you can move it around, it’s following the eye, and you can flip the pages.

[…]

Everything about the web has been about leveling the playing field. Yeah, it’s why Scott [McCloud] was right in Reinventing Comics, and why it’s a terrible book. Because it’s a manifesto. It’s not a book. It’s a manifesto to something that doesn’t exist yet, and, furthermore, his solution is wrong, which is you can micro-monetize this stuff. But the basic gist of the manifesto is simply: The moment you’re on the web, you don’t have to publish the book, you don’t have to get the book into Barnes & Noble, you don’t have to pay for ink and paper and the office costs of somebody to promote it. And all of that is true. You are absolutely playing on a flat field with somebody who has millions of dollars of marketing behind them.

In other words, comics (and books, to a similar extent) are just hitting their iPods-and-Napster moment, where available technology is not only good enough to significantly enhance the reading experience over dead-tree, but also sufficiently ubiquitous to make controlling distribution very difficult. That level playing field isn’t here yet, but it’s coming… and the first phase is the erosion of the comparatively easy profits the publishing outfits were able to make beforehand, where a lack of knowledge (or perhaps just a resistance to trying new ideas?) means that those huge marketing budgets just don’t provide the leverage they used to.

Music is a little further ahead on this particular developmental curve, in that we can see new business models emerging at both the individual artist level and the record label level… though it’s interesting to note that organisational size seems to be inversely proportional to innovative agility and the willingness to embrace (or even just grudgingly accept) the fundamental change in the rules of engagement.

All of which isn’t to say that I’m sat here with a wry smirk and a hint of I-told-you-so in you eyes; I have many writer and artist friends (Cornell very much among them), and have no wish to see them unable to make a living from their art due to technological shifts. But all the best wishes in the world won’t change the observable fact that the economics of abundance are ripping their way into almost all of the arts… and economics isn’t noted as a phenomenon that cares about individuals. Perhaps even more so than prose fiction publishers, the comics industry needs to get to grips with digital content channels real fast if it wants to survive; you only need look at the current travails of Guy Hands and EMI to see what happens if you stand stoically on a slanting deck, stuffing wads of money and lawsuit paperwork into the hull breach while the band keeps playing “Nearer My God To Thee”.

[ * That said, I haven’t moved to downloading comics as an alternative to buying them, though I certainly have done with music; I rather suspect that if I’d been a comics freak from as early an age as I was a music freak, however, I’d be telling a different story. The underlying point: the people downloading your work don’t see it as stealing; they just see it as a way of getting more of the media they love for less financial outlay. And while there’s a logical case to be made that they are stealing, time and money spent chasing and enforcing that judgement is time and money that would be more effectively spent on looking for new ways to meet that demand. All King Canute got for his troubles were wet feet. ]

Diminished Reality: unsee the unpalatable

Interesting find at BoingBoing; a sort of inversion of augmented reality, in that rather than adding things that aren’t there to your field of vision, you take away things that are there.

Remarkably similar to another BB post from a week or so ago, namely the chap trying to develop a system that automatically removes corporate logos from video footage. Neither idea seems any more unlikely to be implemented than ‘traditional’ augmented reality, either, which effectively means that reality is destined to become an even more mutable concept than it already is.

Perhaps the world would be a more peaceful place if everyone could simply stop seeing the things that offend them? Somehow I don’t think it’ll work out like that…

The need to breed: reproductive licensing

Kyle Munkittrick’s at it again over at Discover‘s Science Not Fiction blog, this time raising an ethical question that has intrigued me ever since I encountered it in an assortment of science fiction stories and novels as a teenager: should the right to reproduce be subject to licensing*?

Cue knee-jerk horror and accusations of fascism-by-the-back-door… but Munkittrick makes some points worth considering. First of all, we already have a limited form of licensing with respect to child-rearing: adoption.

If you can have children naturally, you’re free to have as many as you want and basically do what you want with them. The only exceptions are parents so horrible that the state steps in and takes them away. If you can’t or don’t want to have children naturally, then not only do you have to go through the difficult and complex processes of adoption and/or ARTs, you have to be approved to do so. It’s double-damage on the equality front. Our society, it would seem, unconsciously believes “If you’re naturally able to have kids, then it’s OK for you to have kids. But if you aren’t able to naturally have kids, there might be something else wrong with you, and you should be investigated.” That kind of mindset is wrong – your ability to have kids is not an indicator your ability to take care of them.

He goes on to point out that all that’s realistically needed is a test of basic competence, just like you take to get a driving license:

Just as it is reasonable to have a person in charge of a car take a class and a few tests to make sure they’re capable, it is reasonable to have a person who will be in charge of a new life take a few tests to make sure they’re capable. You didn’t have to be Dale Earnhart, Jr. to get your drivers license; you won’t have to be Ward Cleaver to get your parenting license. You had to be able to merge into traffic, parallel park, and negotiate a four way stop; by the same logic, every child deserves a minimally competent parent.

The main problem that I can see is that by setting up a framework intended to screen only for basic competence, you’re leaving a legacy system to the politicians of the future which could be tweaked and adjusted for more fascistic ideological purposes. Not to mention the fact that any bureaucratic system of the complexity required to license parenting in a country the size of the UK would inevitably be highly susceptible to gaming, fraud and bribery…

Ultimately I’m somewhat hesitant to pick sides on this particular issue, despite what seems to me the very logical appeal of the idea; this is because I have no intention of ever having children, and as such I can’t fully understand the incredibly powerful emotional responses that parenthood – and, in some sad cases, the inability to achieve parenthood – engenders in people. How can I deny someone else the right to do something that I’ve never wanted to do?

That said, the logic seems fairly clear to me: surely the worst thing that we could do to any child is allow it to be raised by parents either unwilling or incapable of caring for it properly? As Munkittrick points out, almost anyone can conceive a child, but evidence suggests that not everyone can raise one. So whose rights must take primacy – the right of every human being to reproduce if they’re able and willing, or the right of every child to be raised responsibly? Given that the child doesn’t get a choice about whether it gets born or not, I see it as being the underdog in the equation, and hence more deserving of protection.

Where do you folk stand on this one? Particularly interested in input from parents, would-be or actual.

[ * I feel Julian May’s Galactic Milieu books dealt rather well with this issue, in that she was careful to simply portray such a system in action, warts and all, good and bad, without passing any authorial judgement on its ethical validity. Recommendations of other stories or novels that deal with similar subjects would be most welcome! ]