All posts by Paul Raven

The Suck Fairy

Jo Walton takes the mic at Tor.com and puts a name to a phenomenon I suspect most of us have experienced at least once. You know when you re-read a book that you read and loved years ago, and it turns out it’s almost unreadably bad? Well, the Suck Fairy got to it.

The Suck Fairy is an artefact of re-reading. If you read a book for the first time and it sucks, it’s nothing to do with her. It just sucks. Some books do. The Suck Fairy comes in when you come back to a book that you liked when you read it before, and on re-reading—well, it sucks. You can say that you have changed, you can hit your forehead dramatically and ask yourself how you could possibly have missed the suckiness the first time—or you can say that the Suck Fairy has been through while the book was sitting on the shelf and inserted the suck. The longer the book has been on the shelf unread, the more time she’s had to get into it. The advantage of this is exactly the same as the advantage of thinking of one’s once-beloved ex as having been eaten by a zombie, who is now shambling around using the name and body of the former person. It lets one keep one’s original love clear of the later betrayals.

Of course, there isn’t really a Suck Fairy (also, that isn’t really a zombie) but it’s a useful way of remembering what’s good while not dismissing the newly visible bad. Without the Suck Fairy, it’s all too easy for the present suck to wipe out the good memories.

I know I’ve been visited by the Suck Fairy plenty of times (OK, stop sniggering on the back row)… indeed, I expect C S Lewis’ Narnia books have worked the same way for many people, Ms Walton included:

Kids are really good at ignoring the heavy-handed message and getting with the fun parts. It’s good they are, because adults have devoted a lot of effort writing them messages thinly disguised as stories and clubbing children over the head with them. I read a lot of older children’s books when I was a kid, and you wouldn’t believe how many sugar-coated tracts I sucked the sugar off and cheerfully ran off, spitting out the message undigested. (Despite going to church several times every Sunday for my whole childhood, I never figured out that Aslan was Jesus until told later.)

A disappointing revelation for me, too; though I still hold that the metaphysics of the final section of The Last Battle make for a pretty esoteric look at at that particular part of the Christian doctrine. Or at least, the metaphysics of The Last Battle as I remember it (“come further up, come further in! It’s like an onion in reverse!” or somesuch)… I don’t think I’ll be going back to check any time soon.

Truth be told, I’ve done so little re-reading in the last decade or so that I’ve not had many chances to spot the Suck Fairy’s handiwork. That said, I remember thinking not too long ago that Jeff Noon’s Nymphomation was a colossal retrospective disappointment, though Vurt and Pollen still held up well to re-reading (despite being far more immediate in their initial impression than Noon’s latter works).

What about you lot – has the Suck Fairy been at your bookshelves, and whose work did (s)he get at?

Soylent is people! Word processor plugin crowdsources your editing

Via Bruce Sterling; not sure how workable an idea this is in practice, but it’s a real Zeitgeisty proof-of-concept. Soylent is a plugin for Micro$oft Word that farms out fact-checking, editing, rewriting and proofreading for pennies on Amazon’s Mechanical Turk service:

Add this to the metaverse-outsourcing of translation tasks, and there’s a whole lot of people in the text-content industries getting mad angsty about their job security (myself included). Guess we finally get to experience how factory workers are feeling about the future…

(Kinda surprised they went for Word rather than OpenOffice… although perhaps that was a prescient move.)

Not-so-new ‘zine on the block: InterNova

Via the tireless Charles Tan* at the World SF Blog comes news that international sf magazine InterNova has relaunched as a webzine for your free-to-read enjoyment. The new issue includes fiction from Brazil, Argentina, South Africa, Croatia, Germany and the UK, two Italian classic reprints and a couple of non-fiction pieces. Get clickin’.

[ * Seriously, the dude’s a force of nature; he’s either the pseudonym of a team of three or more, or has had some sort of elective surgery to remove the part of his brain that tells him when to sleep. ‘Nuff respect. ]

Science journalism skewered

If you’ve not been linked to it already, you should definitely go and read this: “This is a news website article about a scientific paper“. It’s a real zinger; here’s the opening:

In this paragraph I will state the main claim that the research makes, making appropriate use of “scare quotes” to ensure that it’s clear that I have no opinion about this research whatsoever.

In this paragraph I will briefly (because no paragraph should be more than one line) state which existing scientific ideas this new research “challenges”.

If the research is about a potential cure, or a solution to a problem, this paragraph will describe how it will raise hopes for a group of sufferers or victims.

This paragraph elaborates on the claim, adding weasel-words like “the scientists say” to shift responsibility for establishing the likely truth or accuracy of the research findings on to absolutely anybody else but me, the journalist.

Ouch; it hurts because it’s true. The Grauniad is doing its best to rise above the clichés portrayed therein (as are a few other mainstream news venues), but there’s always one factor that tends to be overlooked in discussions of what makes for responsible good-quality science reporting… namely that the market for it is vanishingly small by comparison to sensationalist “OMG New Pill Cures Cancer, Expels Illegal Immigrants and Boosts House Prices!!!1” hucksterism.

The root cause of that, one assumes, is that a large percentage of the population is functionally illiterate in scientific terms. (Repeat after me: “correlation is not causation”…) Being realistic about it, in the current economic climate newspapers and websites will inevitably publish whatever pulls in traffic to eyeball the ads they run… and that’s the one major stumbling point for the no-paywall model of online publishing (a matter that is rather closer to my heart than I’d like right now, as shall be revealed later this week).

Wired suggests supplementary skill-sets for the 21st Century

Dovetailing rather neatly with Kevin Kelly’s piece on technological literacy last week, Wired has an oddly-formatted but provocative piece that they’ve entitled 7 Essential Skills That You Didn’t Learn In College. Those seven skills are:

All fairly pertinent, and very Futurismic as well… though I’m not sure how “essential” the remix culture aspect is. I’m inclined to think – perhaps uncharitably – that anyone aspiring to be an artist or creator who hasn’t already grasped those basic truths by observing the world around them is never going to get it, no matter how clearly you spell it out for them. Am I being unfair?

It’s a decent enough list, but not exhaustive by any means – what would you add to it? Or, equally, what would you remove?