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METAtropolis as an outsider anarchist text

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Just for a change, it’s not me projecting anarchist ideas onto contemporary science fiction. Instead, it’s one Margaret Killjoy (who may or may not be pseudonymous) writing at The Anvil Review, who takes a look at the John Scalzi-edited anthology METAtropolis and reads it as a selection of “outsider anarchist fiction” [hat-tip to William Gillis]:

The authors are not consciously political radicals, but they are clearly inspired by the possibilities of autonomy that have been opened up in the 21st century. I would guess that not a one of them has read Bakunin, Rolling Thunder, or anarchistnews.org; they’ve struck upon the idea of mutual aid economics and horizontal structuring largely in a vacuum.

To be honest, I think there’s an element of the vanity of the marginalised at play, there. Sure, Scalzi et al may not have read the sources Killjoy cites, but they’re hardly the only places that anarchist ideas crop up; anyone who reads Futurismic would have stumbled across the ideas of mutual aid economics and horizontal structuring, and – my personal politics aside – I don’t think anyone would claim this website as an explicitly anarchist text*. The ideas Killjoy is highlighting have been part of science fiction’s stock in trade for some time… that’s exactly where I discovered most of them, at any rate. I’m surprised at her surprise, in other words; sf is hardly the vacuum of ararchist ideas she seems to think it is.

However, once we get past Killjoy’s own outsider theatrics, she has some interesting readings to share, and raises an interesting point: that certain components of the traditional anarchist philosophical platform are indeed becoming more culturally acceptable (provided you define inclusion in science fiction stories as a badge of cultural acceptance, which I suspect would be contested vigorously by a large section of the populace), or at least acceptable enough to be put forward as plausible solutions to a difficult near-future in a fictional context.

I’m not just fascinated by the cultures that these stories present, I’m fascinated by their authors’ point of entry. I would suggest that technology culture in the 21st century is leaning more and more towards anarchist approaches. Centralization is being outed as the demon it is: centralization and homogeny are understood as the bane of a healthy online network, and many are beginning to realize that the same is true of offline networks. A sort of neo-tribalism is on the rise, as is simply understanding that people and cultures are more fascinating when viewed as webs, as horizontal networks, than as rigidly controlled and highly-formalized structures.

What’s more, intellectual property is increasingly out of vogue. A sort of anarcho-futurist mentality is on the rise: that we should borrow and steal freely from each other’s ideas, that copyright laws are an imposition on our aesthetic and creative freedom, that they stand in the way of moving our culture forward–or outward, or in whatever direction it feels like moving. Some are, I would argue, even beginning to understand that it is not that we steal ideas from one another, but that copyright and intellectual property actually represent theft from the public, enclosure of what by nature ought to be the commons. Knowledge knows no scarcity and there is no reason to charge for its dissemination.

Slowly, this critique of intellectual property is filtering out into meatspace, and now in the 21st century many geeks are coming to their own understandings of what Proudhon so famously stated in the 19th: property is theft.

Radicals would be fools to ignore this sudden appearance of fellow-travelers.

Radicals might also be fools for not realising that sf has had a fair few fellow-travellers for many years, too… but the underlying point is valid. Critiques of intellectual property, top-down power structures and the machinery of democracy are indeed rampant in modern culture, especially online, and especially in the sphere of science fiction. Whether that means sf is a vanguard for coming political change or merely a haven for otherwise unacceptable and marginal radical ideas (or perhaps both) remains to be seen.

[ * – Or maybe they would? For the record, I identify with anarchism but not as an anarchist; it’s always struck me that an ideology so obsessed with abandoning hierarchies can be so fussy about deciding who’s in and who’s out. Anarchism should surely be the -ism that rejects -isms, but – from my own outsider’s perspective, at least – it’s at least as obsessed with self-taxonomy and them-and-ussing as any other movement, if not more so… and much as I sympathise with many of the philosophies that inform them, my experience with radical groups has always brought to mind that well-known scene from Life Of Brian. Your mileage, of course, may vary. 🙂 ]

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GoogleLitTrips: extending fiction into the factual web

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The Luddite old guard love to batter on about how the internet devalues the reading of books, but I’ve always thought that the internet had huge potential for extending the appeal and educational power of fiction. Here’s a good example, going by the name of GoogleLitTrips [via MetaFilter], a project that uses custom layers in Google Earth to show students the routes and locations featured in various “road-trip” literary classics. (GLT’s developer has done a similar project based on historical journeys of exploration, too.)

It’s still pretty basic at this point, but it’s not hard to imagine how this sort of thing could become incredibly deep, and perhaps end up becoming the standard extension of fiction into the multimedia sphere of the web. One could easily go beyond maps and into geotagged photography, both contemporary and historical, for instance, bringing locations and historical periods to life visually. (Would this lessen the imaginative input required from the reader, though?)

But let’s turn the idea up to eleven and apply it to science fiction for a moment. If you’re setting a book in the future, you can’t provide photographs of the settings… but you could create CGI composites (like the images produced by speculative architects), or build 3D environments using SketchUp or a metaverse platform like Second Life, which could then be populated with characters (pre-programmed, live-acted or both) for the reader to interact with, games for them to play, intrigues for them to get caught up in… something like what Neal Stephenson’s Mongoliad project is aiming for, perhaps.

The possibilities are endless, and all I’ve done here are list a few simple ideas that could be done with existing technologies. The underlying point is that there’s no reason the internet has to be the end of written fiction; with imagination and effort, fiction could become the core hook of a form of entertainment more complete, complex and immersive than anything yet created.

Sounds like a fun challenge, no?

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#WarLogs: the beginning of the end for nation-state secrecy?

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Well, now I understand why I was seeing Julian Assange and Wikileaks everywhere last week. Unless you’ve been under our oft-referred-to yet hypothetical news-proof rock for the last 48 hours, you’ll be aware that The Guardian, The New York Times and Der Spiegel are busily publishing the contents of a massive batch of classified documents about the conflict in Afghanistan, which were apparently released to them by Wikileaks about a month back. It’s decidedly unpretty and embarrassing reading for the US government and other members of the “coalition of the willing”, but I think the saddest thing is how little of what’s being reported surprises me in the least. I think we all suspected it was happening that way, deep down; the only difference now is that denial and spin are weak options. The collective bluff has been called, and rather spectacularly.

As usual, I’m less interested in the leak itself than the larger implications. The next few months will be crucial in determining the shape of the political world to come, because Wikileaks have suddenly brought radical and deep transparency to the geopolitical process, and that cloak and dagger world has always thrived on the comparative ease with which it could obscure distant truths from the sight of its electorates. If Wikileaks and similar organisations cannot be squelched, and squelched quickly, dirty wars with hidden agendas are going to become much more politically risky… and it’s those wars and agendas that are the mainstay of the nation-state as power unit. I’m rather intrigued to see a pro-interventionist commentator like Thomas P M Barnett cautiously welcoming this new and uninvited transparency, even if not entirely approving of its source; either I’ve spectacularly misread his political stance – which is more than possible, I’ll grant you – or he’s seeing the same writing on the wall that I am. Other commentators seem to have been concluding that interventionism is all over bar the shouting, and that was before the leak; it’ll be interesting to watch the public approval ratings for overseas operations over the next few months.

I read somewhere (though I’ve lost the link) that Julian Assange is making a point of never sleeping in the same place two nights in a row; I suspect he’ll be spending as much time being publicly visible as possible, too, because he’s now the figurehead of something that is scaring the shit out of people whose long-term modus operandi has been the disappearing (or unvarnished assassination) of obstacles to their agendas. If they can bump him off and not get caught, the warning will have been sent: don’t lift the curtain, or the puppetmaster will rap your knuckles. If he stays free and alive, the warning goes in the other direction: we’re watching, and you can’t reliably stop us from doing so any more.That’s one hell of a responsibility to be walking around with – whatever you may think of Assange’s personal politics and motives, I think it’s safe to say the guy has solid brass balls.

It’s worth noting the language of the White House statement in response to the leak, with its talk of “threatening national security”. “National security” isn’t about the security of the nation’s population, it’s about the security of the nation-state as a political entity… and that is profoundly threatened by Wikileaks and the radical transparency it represents. This isn’t the end of the road for the nation-state, but it could well be the beginning of the end.

I can’t say I’m too sad about that, either.

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Time travel without the paradoxes?

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A new theory based on quantum mechanics promises to do away with the “Grandfather Paradox” that supposedly makes time travel impossible [via BoingBoing]:

Quantum mechanics seems to allow for such simultaneous computations of all possible outcomes theoretically, though actually making it happen is another issue altogether (such quantum computing would blow conventional computing methods out of the water). But combined with quantum teleportation – using quantum entanglement to reproduce a quantum state in space that previously existed at another point in space – MIT’s Seth Lloyd and colleagues say you can theoretically teleport a particle back in time.

This form of theoretical time travel solves two major problems associated with the feat. For one, it doesn’t require the bending of spacetime as most time travel theories do. Considering the conditions necessary to bend the fabric of spacetime might only exist in black holes, that’s a good thing. But further, due to the probabilistic laws of quantum mechanics, anything this method of time travel allows to happen already had a finite chance of happening anyhow. That means a particle can’t really go back and accidentally destroy itself.

Note that this applies to subatomic particles and not people… so we’ll not be letting time-travel stories through the Futurismic fiction selection process just yet. But as soon as we get confirmation that it’s genuinely possible we’ll send someone back to retrospectively amend the guidelines, which will have the knock-on effect of ensuring all time travel stories submitted to us that were otherwise suitable for publication were, in fact, purchased and published. Can’t say fairer than that, can you?

Bonus quantum mechanics news: a recent successful run of a “triple split” experiment has provided evidence to support the theory of quantum mechanics that was originally developed from the double-slit experiment, first performed over a century ago. If you’re hoping that’ll make quantum mechanics make more sense, however, I suspect you’re all out of luck.

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Must-read writer interview: Ted Chiang

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Ted Chiang may not be the most prolific sf short story writer ever, but you’d be hard pressed to find many folk who wouldn’t concede that he’s one of the best. So go check out this interview with him at BoingBoing if you haven’t already… here’s a snippet where Chiang describes his writing process, which is rather about-face by comparison to those I’ve heard from other writers, though it makes a compelling sort of sense:

In general, if there’s an idea I’m interested in, I usually think about that for a long time and write down my speculations or just ideas about how it could become a story, but I don’t actually start writing the story itself until I know how the story ends. Typically the first part of the story that I write is the very ending, either the last paragraph of the story or a paragraph near the end. Once I have the destination in mind then I can build the rest of the story around that or build the rest of the story in such a way as to lead up to that. Usually the second thing I write is the opening of the story and then I write the rest of the story in almost random order. I just keep writing scenes until I’ve connected the beginning and the end. I write the key scenes or what I think of as the landmark scenes first, and then I just fill in backwards and forwards.

Good interview: go read. And when you’ve finished it, go read some Ted Chiang stories if you haven’t already. And if you have, why not read ’em again?