The possibility of time travel was raised 10 years ago when scientists discovered superluminal – or faster-than-light – propagation of optical pulses in some specific medium, the team said. It was later found to be a visual effect, but researchers thought it might still be possible for a single photon to exceed light speed. Du, however, believed Einstein was right and determined to end the debate by measuring the ultimate speed of a single photon, which had not been done before.
“The study, which showed that single photons also obey the speed limit c, confirms Einstein’s causality; that is, an effect cannot occur before its cause,” the university said.
I’ll give it a maximum of two years before someone has a counter-theory that makes it possible once again…
So, this has been doing the rounds since its release at SDCC (which – given by what I’ve seen of it from blogs, Twitter and elsewhere – is less a convention and more some sort of fundamental rupture of reality that lets a million weird facets of pop culture manifest in the material world for a weekend); my first spot of it was at SF Signal, so they get the hat-tip. It’s the trailer for a forthcoming web-native series called H+…
And here’s the blurb for those of you who can’t or won’t watch videos:
H+: The Digital Series takes viewers on a journey into an apocalyptic future where technology has begun to spiral out of control…a future where 33% of the world’s population has retired its cell phones and laptops in favor of a stunning new device – an implanted computer system called H+.
This tiny tool allows the user’s own mind and nervous system to be connected to the Internet 24 hours a day. But something else is coming… something dark and vicious… and within seconds, billions of people will be dead… opening the door to radical changes in the political and social landscape of the planet — prompting survivors to make sense of what went wrong.
Hmmm. So, what can we take from this? First off, “H+” or human augmentation as a cultural meme is strong enough on the geek fringes that someone thinks it’s a marketable theme for popular drama; this in itself is a very interesting development from the perspective of someone who chronicles and observes the transhumanist movement(s), because it’s a sign that traditionally science fictional or cyberpunkish ideas are being presented as both plausible and imminent*. Meme’s gonna go mainstream, yo.
Secondly, and less surprisingly, the underlying premise appears to be The Hubris Of Technology Will All But Annihilate Our Species, with a sideserving/undercurrent of Moral Panic. Handwringing over the potentially corrosive-to-civilisation properties of social media is common currency (as regular readers will be only too aware already), which means the soil is well-tilled for the seed of Singer’s series; it’s a contemporary twist on the age-old apocalypse riff, and that never gets old. Too early to tell whether the Hairshirt Back-To-The-Earth philosophy is going to be used as solution paradigm, but I’d be willing to put money on it making a significant showing. This is disappointing, but inevitable; as Kyle Munkittrick points out in his brief overview of the new Captain America movie, comics and Hollywood default to the portrayal of human augmentation as either an accident born of scientific hubris or the tainted product of a Frankensteinian corporation:
In what seems like every other superhero origin story, powers are acquired through scientific hubris. Be it the unintended consequences of splitting the atom, tinkering with genetics, or trying to access some heretofore unknown dimension, comic book heroes invariably arise by accident.
[…]
Normally, those who seek superpowers are unworthy because they believe they deserve to be better than others, thus, the experiments go wrong.
Yeah, that’s about right. And the choice of series title is very fortuitous; the avalanche of early responses drawing analogies to Google+ has probably already started on the basis of that trailer alone, which is going to annoy me just as much as Googlephobia does. I’ve been rereading Marshall McLuhan lately (in part so I could write a piece for his 100th birthday at Wired UK), and was struck by how calmly and persistently he insisted that making moral judgements of technologies was futile; indeed, he took the position that by spending less effort on judging our technologies, we might clear the moral fog that exists around our actual lives. In McLuhan’s thought, media are extensions of ourselves into time and space; it seems to me that the biggest problem they cause isn’t a moral degradation of humanity, but the provision of a convenient proxy to blame our human problems on: it woz the intertubes wot dun it.
There was, she says, an initial pushback about electrifying homes in the U.S.: “If you electrify homes you will make women and children and vulnerable. Predators will be able to tell if they are home because the light will be on, and you will be able to see them. So electricity is going to make women vulnerable. Oh and children will be visible too and it will be predators, who seem to be lurking everywhere, who will attack.
“There was some wonderful stuff about [railway trains] too in the U.S., that women’s bodies were not designed to go at 50 miles an hour. Our uteruses would fly out of our bodies as they were accelerated to that speed.”
She has a sort of work-in-progress theory to work out which technologies will trigger panic, and which will not.
It has to change your relationship to time.
It has to change your relationship to space.
It has to change your relationship to other people.
And, says Ms. Bell, it has to hit all three, or at least have the potential to hit them.
Interesting stuff, including a riff on comedy as a feedback loop in culture that enables us to control and mitigate the boundaries of what is acceptable with a new technology or medium. But as Bell points out, the march of technological change won’t wait for us to catch up with it; this state of technological angst has persisted for centuries, and will likely persist for as long as we remain a technologised species. Which means the doomsayers (and doomsayer media like H+) ain’t going anywhere… but going on past form, I’m going to assume we’ll find a way to ride it out and roll with the punches.
And just in case you were expecting a more standard blogger response to a television series trailer: yeah, I’ll probably watch H+, at least for long enough to see if it’s a good story well told; it looks like it might well be, regardless of the source of the narrative hook.
What about you?
[ * Which isn’t to say that the plot device in H+ will necessarily be scientifically plausible as it gets presented. Indeed, I rather suspect there’ll be some Unified Quantum Handwave Theory and/or Unobtainium involved… but the portrayal of social media as an internalised technology in the human body within a contemporary fictional milieu? That’s something I’ve not seen anywhere other than text media (books, stories, comics) thus far. ]
None of this is new. None of this is unprecedented. To a security professional, most of it isn’t even interesting. And while national intelligence organizations and some criminal groups are organized, hacker groups like Anonymous and LulzSec are much more informal. Despite the impression we get from movies, there is no organization. There’s no membership, there are no dues, there is no initiation. It’s just a bunch of guys. You too can join Anonymous—just hack something, and claim you’re a member. That’s probably what the members of Anonymous arrested in Turkey were: 32 people who just decided to use that name.
It’s not that things are getting worse; it’s that things were always this bad. To a lot of security professionals, the value of some of these groups is to graphically illustrate what we’ve been saying for years: organizations need to beef up their security against a wide variety of threats. But the recent news epidemic also illustrates how safe the Internet is. Because news articles are the only contact most of us have had with any of these attacks.
Unmasking one of the many faces of the modern moral panic… I note that the other four respondents all conceded that there has been an increase in hacking, and that – unlike Schneier – they all hold high positions in computer security businesses.
Karl Schroeder is guest emcee at Charlie Stross’s rostrum while the latter is a-travellin’, which is fine news in my world – Schroeder has been quiet of late (how dare a writer I like not provide me free brainfood on a regular basis!), but when he speaks he says powerful things. Powerful things like this:
Not only had the combination of Space Shuttle (most expensive yet most useless spacecraft ever constructed, a monstrous money-pit that cost $200 billion to develop, $1.5 billion for every launch, demanded a ground crew of over 3000 and had nowhere to go–and International Space Station (also fantastically expensive and in the wrong orbit to do any meaningful research) sucked all the oxygen out of space exploration for the average Joe; not only have most of my readers never witnessed a human being go beyond Earth orbit; but NASA’s Darwinian selection process for its astronaut corps has, for thirty years now, guaranteed that only men and women who agree to toe the party line will get into space. In order to become an astronaut, you have to accept, in a Winston Smith sort of way, that real space travel is barred to us. –That somehow, Apollo never happened or was some sort of fluke, and that the best that humanity can do now is clamber to the edge of that vastness we once soared through, and blink at it nervously. Because the Shuttle and ISS are both emperors without clothes, and if anybody involved in the projects actually admitted it, we all might collectively wake up, and demand something better.
All of which is why I’m heaving a vast sigh of relief that thirty years of mediocrity is finally ending this week. Farewell, Space Shuttle. I’m not going to miss you.
Me neither… though I prudently kept my opinion on the downlow yesterday, because there’s a whole lot of national identity stuff tied up with America and the Space Shuttle program, and applauding the Shuttle’s demise is like poking a bear with a sharp stick. But that bear really needs poking; so many of the laments I noticed yesterday seem to totally overlook the economic and philosophical shortcomings of the Shuttle program, interpreting it on a very basic symbolic level only.
Much in the way that some people interpret any criticism of the Israeli government as inherently anti-Semitic, criticising the Shuttle program is perceived as either anti-American or anti-space-exploration, or sometimes both at once. This irrationally defensive attitude highlights the lack of purpose that has echoed at the heart of the American space narrative for so long, like rapping your knuckles on a venerated statue and hearing the hollowness within as its worshippers gasp at your blasphemy.
When dogma is all you have left, it’s time to redefine your relationship to god.
[ For what it’s worth, I think you can have your pie and eat it; I grew up watching the Space Shuttle launches on TV, and they shaped my consciousness in a huge way; I can also appreciate the symbolic – and technological – sublimity of the Shuttle itself. But it was always more token than tool; if we’re serious about going beyond the gravity well – and I believe we should be – we need to ask ourselves why as well as how. The answer to the former will inform and qualify the answer to the latter. ]
For those of you not so deeply plugged in to the sf lit and fandom circuits of the intertubes, I’ll act as a repeater station for a signal worth passing on: venerable UK sf imprint Gollancz has announced its SFGateway project, which will integrate a growing backlist of classic sf titles in ebook formats with the also-forthcoming online Encyclopedia of Science Fiction.
Here’s the main meat from the press release, which you can read in full if you so wish:
Gollancz, the SF and Fantasy imprint of the Orion Publishing Group, announces the launch of the world’s largest digital SFF library, the SF Gateway, which will make thousands of out-of-print titles by classic genre authors available as eBooks.
Building on the remarkable success of Gollancz’s Masterworks series, the SF Gateway will launch this Autumn with more than a thousand titles by close to a hundred authors. It will build to 3,000 titles by the end of 2012, and 5,000 or more by 2014. Gollancz’s Digital Publisher Darren Nash, who joined the company in September 2010 to spearhead the project said, “The Masterworks series has been extraordinarily successful in republishing one or two key titles by a wide range of authors, but most of those authors had long careers in which they wrote dozens of novels which had fallen out of print. It seemed to us that eBooks would offer the ideal way to make them available again. This realization was the starting point for the SF Gateway.” Wherever possible, the SF Gateway will offer the complete backlist of the authors included.
The SF Gateway will be closely integrated with the recently announced new online edition of The Encyclopedia of Science Fiction, which provides an independent and definitive reference source of information on the authors and books included. Direct links between the Encyclopedia and the Gateway will provide easy access to eBook editions, for sale through all major online retailers.
The Gateway site will also act as a major community hub and social network for SF readers across the world, allowing them to interact with each other and recommend titles and authors. The site is planned to include forums, blogs, regular promotions, and is envisaged to become the natural home on the net for anyone with an interest in classic SFF.
All of a sudden, I’m genuinely interested in buying an ebook reader. (Or at least a device with ebook-reading capabilities; I suspect the standalone ebook reader will be an exemplary illustration of Chairman Bruce’s concept of “obsolete before plateau”, killed off by convergence in the tablet market, folded in as one more function for your general purpose portable computing/connectivity platform.)
I’m quite impressed at how well Gollancz have kept this on the downlow for so long, too, especially given all the folk in the [aca]fandom circuit (myself included) carping loudly about publishers failing to embrace new platforms and technologies. The sheer joined-up-ness of this project (and the decision to base it all on pure HTML5, with no flash-in-the-pan walled-garden proprietary app crapola) is ambitious and forward-looking; I’m sure there’ll be some minor snags here and there, but I get the sense that this has been thought through very carefully, and that a certain allowance for tweaking and flex has been built in.
And to see that vast (and apparently set-to-grow) backlist of out-of-print titles brought back into availability is a thing of wonder. Ladies and gentlemen of Gollancz, and everyone else who has been involved: I salute you.
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