Tag Archives: Fiction

Not-so-new ‘zine on the block: InterNova

Via the tireless Charles Tan* at the World SF Blog comes news that international sf magazine InterNova has relaunched as a webzine for your free-to-read enjoyment. The new issue includes fiction from Brazil, Argentina, South Africa, Croatia, Germany and the UK, two Italian classic reprints and a couple of non-fiction pieces. Get clickin’.

[ * Seriously, the dude’s a force of nature; he’s either the pseudonym of a team of three or more, or has had some sort of elective surgery to remove the part of his brain that tells him when to sleep. ‘Nuff respect. ]

Help us out: which two Futurismic stories should we nominate for the Phoenix Pick Award?

Readers of Futurismic fiction, your assistance would be appreciated: Phoenix Pick are running a competition for original science fiction stories published online between July 2009 and June 2010, and we need your help to decide which two stories we should send in.

A bit of background, here: the Phoenix Pick Award is a new prize, exclusively for sf published online, and is unique in that the stories for consideration have to be submitted by the editors who originally published them, rather than by the authors themselves. The prize money for the winning story – guaranteed at a minimum of $US650, no less! – will be split between the story’s author and its publishing venue.

Now, each publishing venue can submit two stories from the eligibility period for consideration, and that’s where we need your help.

We obviously think all eleven stories we published between July 2009 and June 2010 are awesome, or we wouldn’t have published them (d’uh!), and picking favourites would be no fun at all. So I figure we call on you lot, the readers, and crowdsource the choices – what could be fairer than that?

So, here are all the eligible stories, so you can refresh your familiarity with them:

To nominate your two choices, please list them in order of preference (i.e. favourite, second favourite) in a comment below this post*. You’ve got until Sunday 10th October to make your choice; on that day, I’ll lock the comments, count ’em all up, and announce the two leading candidates to be put forward for the Award.

[ * I looked into using an embedded poll gizmo, but none of them really worked the way I wanted them to, and at least with comments made here I can check by IP address to be sure no one’s stuffing the ballot! ]

More awesome free fiction to read elsewhere

Have you read Lavie Tidhar’s “In Pacmandu” yet? Well, why the hell not? It was published yesterday, and it is short, sharp and awesome, not to mention packed with computer game culture references – geek crack, in other words. So go smoke a rock, right now.

If you have read Lavie’s story, then perhaps you’re hungry for more brainfood… and the fictional pickings are particularly rich right now. Not only is the latest issue of Clarkesworld waiting for your attention (complete with gorgeous cover art), but everyone’s favourite mad professor Rudy Rucker has just released another issue of peripatetic weird sci-fi zine Flurb, which includes such luminaries as Madeline Ashby, Annalee “io9” Newitz, Chairman Bruce Sterling, ubercharming eccentric Ian Watson, John Shirley and (naturellement!) Rucker himself. There’s now ten issues of Flurb, all archived up and freely available to read, so tuck in. That should keep you busy for a week or two.

Now, if you like a little non-fiction on the side (and who doesn’t, right?) then you should check out Salon Futura, Cheryl Morgan’s new webzine devoted to the discussion and dissection of speculative fiction in all its guises. We can expect some excellent critical work to emerge there in months to come, but right now you can watch video interviews with the charming China Mieville and the lovely Lauren Beukes (two very Zeitgeisty novelists, and well worth your time).

(Like Futurismic, Salon Futura and Clarkesworld are free to read, but they pay their contributors… so if you enjoy what you find there, please consider dropping ’em a donation.)

And finally, a non-free fiction offering: the Neal Stephenson-piloted Mongoliad project (which we mentioned a while back) is now up and running, waiting for you to subscribe… and even caped copyleft crusader Cory Doctorow reckons it’s an impressive offer for the price:

It’s an epic fantasy novel about the Mongol conquest, told in installment form, with lots of supplementary material (video, stills, short fiction, etc), and a strong audience participation component in the form of a Wikipedia-style concordance, fanfic, etc. You can read the free samples without registration, but you need an account to edit the “Pedia.”

For $5.99 you get a six-month subscription to the main body of fiction; $9.99 gets you a year (you retain access to the fiction after your subscription expires, but don’t get any new material until you renew, which is a major plus in my view — much fairer than most online “subscriptions” that lock you out once you let your sub lapse).

The first (paid) chapter went up yesterday, and I’ve just read it. The word here is epic, a swashbuckling swordplay novel with the sweep, charm and verve of the major Stephenson epics, such as System of the World. A very strong start and well worth the price of admission. This is a great experiment in new fiction business-models that welcome audience participation and work in a way that is native to the net.

I doubt I’ll be the only person (webzine editor or otherwise) who’ll be watching closely to see how that business model pans out.

So get yourself along and do some reading! But do pop back here for more near-future archaeology and speculative ruminations of the random kind, won’t you? 🙂

China Miéville on challenging the reader

We break briefly from the predominantly near-future science fiction remit of this website in order to bring to your attention an author who I think all lovers of great fiction should discover, if they haven’t already. Wired has a podcast chat with the incomparable (and coolly charming) China Miéville; not only does he write brilliant books that subvert and mash together two or three (or maybe more) subgenres at a time, but his mind is sharper and shinier than a samurai sword*. Go listen to him talk. You may not agree with everything he says, but I defy you to not have your brain stretched.

I rather suspect there are a few Miéville devotees already among the audience here – I like to think our devotion is primarily to great writing rather than partisan notions of genre adherence (though I may be wrong). So, which Miéville would you most heartily recommend? (Or, conversely, which one didn’t you like, and why?)

My personal favourite would be The Scar, but the recently released Kraken is probably the best entry text to the Mieville oeuvre.

Genre: the ossification of literature?

Damien G Walter in full-on chin-strokin’ literati ponder-mode (which is how I like him best): genres are the fossils left by movements.

Movements are conversations between writers, conducted through stories. During the period of movement, writers are talking to each other, exchanging ideas and generally discussing how to move the art of fiction forward. As these conversations develop, the movement develops identifiable motifs. Over time, these motifs solidify in to tropes, which become genres.

Some examples. William Gibson, Bruce Sterling et al shape a movement to reform Hard-SF, which results in the Cyberpunk genre. (And also the Steampunk genre) J.R.R Tolkien, C.S.Lewis and the other Inklings form a movement to bring mythic values back to modern stories, and some decades later the Epic Fantasy genre is the outcome. A motley crew of British and US writers have the ambition to write fantasy and horror with added literary value, and a decade later we have the squid obsessed New Weird.

It’s a workable theory. But what about po-mo genre revivalism, retrogenres, mash-ups?

Is there a movement in the other direction, where writers eat up the fossilised genres to fuel new movements?

Of course there is, because it’s easier than finding new alternatives. Fossil fuels… heh, timely metaphor. 🙂