Tag Archives: science fiction

Ian McDonald on our digital doppelgangers

DSC_0024The BBC is running an essay by Ian McDonald, author of Brasyl and River of Gods (and many more sf novels). Despite being an deliberate laggard on social network and metaverse platforms himself, McDonald suggests that the science fictional trope of the uploaded human consciousness is already becoming true by degrees:

Our You2s will ever more closely resemble us, and become more and more intelligent as they make linkages between the information we placed there. They’ll take decisions without our interference -and they’ll increasingly talk to each other. It’s no coincidence that the net is shaped like a society.

Perhaps there will never be a single moment when computers become aware. Maybe it will be a slow waking and making sense of that blur of information, like a baby makes sense of the colour patches and patterned sounds into objects and words.

Why should artificial intelligences – our You2s – take any less time to grow up than us?

Artificial intelligences make regular appearances in McDonald’s fiction – and he’s a writer I recommend without hesitation to any science fiction reader – though here it’s almost as if he’s conceding that a kind of ‘soft takeoff’ Singularity is already in its early stages in the real world.

Being a good science fiction writer, though, he’s considering the implications of the future:

What we’ll have is a copy of a personality in a box. It’ll be you in every detail that makes the meat-you you. You2. Only it’s technically immortal as long as the hardware keeps running and is regularly updated. This sounds great, until you realise that the original you still goes down that dark valley from which there is no return…

Quite a synchronous topic, really, given the recent flare-up of Singularitary debates. [Hat tip to Ian Sales; image by your humble correspondent.]

INTERVIEW: BRUCE STERLING on Caryatids, Viridian and the death of print

Bruce SterlingNovelist, pundit, design theorist and iconoclast – Bruce Sterling is all of these and more, and is one of the people that the Futurismic project has always looked to for inspiration.

Sterling has a new novel called Caryatids out at the end of February, the writing of which has somehow been shoehorned in between him bouncing around Europe, lecturing on design theory and keeping an eye on the maelstrom of global multimedia culture and politics.

He was good enough to cave into the pestering of this irredeemable fanboy and answer some questions about the new novel, the closing of the Viridian Green project and the relentless demise of science fiction print media. Continue reading INTERVIEW: BRUCE STERLING on Caryatids, Viridian and the death of print

Genes, genomes, and skiffy

beesKen MacLeod has a monograph up on genomics, sociology and science-fiction at the genomics forum:

Social scientists are less likely than natural scientists to star as villains or heroes in SF. Their work, however, has deeply influenced the genre.

At first or second or third hand – directly, through popularizations, and as refracted through mass media – anthropology, economics, sociology, and political theory have all raised questions to which SF writers have imagined answers.

As well as highlighting the importance of sociology and economics to the development of science fiction MacLeod suggests a reading list of suitable novels that are relevant to his topic. He also compliments us literary SF fans:

Written SF (whose core readership and reviewers are more scientifically informed than the general public) usually has to hew to stricter standards of scientific plausibility…

Damn staight.

[via Ken MacLeod][image from Todd Huffman on flickr]

Global science fiction and optimism, part 1 – the Ukraine

Chernobyl nuclear reactor, UkraineOver at the Shine Anthology blog, Jetse De Vries has started surveying the science fiction scenes of the world to see how prevalent the optimistic streak is at a local level.

The first instalment is an essay from Ukrainian writer Sergey Gerasimov, who paints a grim picture of a post-Communist aesthetic that has moved from naive Soviet optimism to (unsurprisingly) a rather grim and gory militarism:

Besides resource depletion, climate change, and pollution, there are some special topics in Ukraine: 99 percent corruption everywhere, Chernobyl, and we’ve already lived in a diluted variant of 1984; when reading George Orwell’s book, we don’t find anything surprising in it. That may be why Ukrainian readers don’t look for novels which describe marvelous possibilities or give social commentaries anymore. With cannibalistic optimism they read another meaty spilling guts story. The best social commentaries are given here in R-rated language.

Hard to believe, but there was time when the main type of speculative fiction written in Ukraine was optimistic Sci Fi. The only subgenres of it I remember were: naive-optimistic and hypocritically optimistic. These soap opera flavored volumes populated with happy future communists illustrated some political issues of the day and the famous Michurin’s motto: “We cannot wait for favors from Nature. To take them from it — that is our task.”

If nothing else, it highlights the fact that Western sf isn’t quite so dystopian in tone by comparison. But I guess the big question here is whether a nation’s artistic output passively reflects its political and economic aspirations, or whether instead it can be used to influence and change those attitudes.

Perhaps it is more simple: maybe the bleakness of Ukrainian sf is inevitable, given that their real near-term future seems so devoid of hope. If that is the case, should we expect to see a swing toward optimism in the West riding in on the coat-tails of the Obama administration? [image by skpy]

Universal Robots take over the world…on stage

Universal Robots poster Last year, as the self-appointed resident Futurismic SF theatre blogger, I posted about a revival of Karel Capek’s 1921 play R.U.R., which gave us the word “robot.” Now comes word that Manhattan Theatre Source is staging the world premiere of a new adaptation of R.U.R. called Universal Robots, set in an alternate 2009 in which humans have all been dead since 1971 and “Each year we gather together to tell the story that we never ever forget.” (Via SF Scope.)

Here’s the synopsis:

The Great War has just ended. The fledgling Republic of Czechoslovakia, under its first elected President, boasts a thriving artistic and intellectual community. At the center of that community is Karel Capek, a celebrated playwright and a passionate advocate for all his newborn nation can achieve. But the brave new world arrives faster than Karel could have ever expected when a young woman walks into his life with a strange mannequin in a wheelchair… a mannequin that gets up and moves all by itself.

Universal Robots offers a compelling, alternate history of the Twentieth Century, imagining the invention of the robot in 1921 and chronicling the shocking consequences of that invention right up to the present day.

Part science fiction thriller, part love story, part political allegory, part redemptive tragedy and a fast-paced entertainment throughout, Universal Robots departs significantly from Capek’s script, offering a meaty and riveting story of war, love, faith, art, and technology that culminates, in the words of NYTheatre’s Martin Denton, in an “edge-of-your-seat finish equal to the best story-telling of stage or screen.”

Universal Robots runs at Manhattan Theatre Source, 177 MacDougal Street (between Waverly Place and West 8th Street), New York, New York from February 12 to March 7, with performances Wednesday through Saturday at 7:30PM. Tickets are $18, and are available from theatermania.com or by calling 212-352-3101. You can see a gallery of images from the play here, and there’s even a Universal Robots blog with a Robot of the Day feature.

On Saturday, February 21, from 3 to 4 p.m. there will also be a Robots Panel Discussion during the afternoon, featuring Tammy Oler, Dr. Yann LeCun, Dr. Michael L. Littman, and Dan Paluska:

From Karel Capek’s 1921 play R.U.R. to the Terminator films and Battlestar Galactica, fears of a robot apocalypse have been pervasive in science fiction. Yet, we increasingly look to robotics and artificial intelligence to enrich our lives. Some scientists even suggest that we will have intimate relationships with robots in the near future. Will robots usher in a revolution or a cultural renaissance? Join us for a lively panel discussion on our evolving relationship to robots as well as our fears and desires in today’s wired world.

If anyone in the Futurismic community attends, post a comment to let us know what you think!

(Image: Universal Robots website.)

[tags]theatre,plays,robots,science fiction[/tags]