It was all fun and games until someone took the end-of-the-world speculations one step too far:
A 16-year-old girl in Madhya Pradesh, [India] allegedly committed suicide after watching news on channels about possibility of the end of earth following the atom-smasher experiment in Geneva that began on Wednesday…Her parents told reporters she was watching about the world’s biggest atom-smasher experiment in Geneva on news channels since the last two days following which she got restless and ended her life.
I’m divided between blaming the wildly inaccurate claims circulated by the media, and just a general lack of scientific education for believing these “doomsday” claims. But there’s this, regarding the media portrayal of the event in India, to support both:
The ministry found stories talking about the world coming to an end, shown in various dramatised forms, as unsuitable for “unrestricted public exhibition” and “unsuitable for children“. Media critics have pointed out that instead of looking at the Big Bang experiment as a scientific development, doomsday stories only succeeded in scaring naive viewers and annoying those who saw through the facade. “The experiment has been the talking point everywhere for all the wrong reasons,” a media critic said.
[story from Sify, additional updates from The Times of India, via Bruce Sterling]
It’s not quite pitchfork-bearing mobs,
As science fiction writers and readers, we tend to think a lot in technologies, and
What do science fiction writers think of global conflict? What happens when the world falls into chaos after environmental collapse? Where will the world be if we eradicate ourselves with biological warfare? There’s no grand technological breakthrough that lies at the heart of these types of stories. No, there stories that have been told many times, but they’re present, and they’re modern, and they’re pertinent: they are human, and that is what makes them so profound. Socially conscious writing is important, in my opinion, because it begins to bring back to science fiction what it began as: a way of questioning that which is potentially dangerous. [Photo courtesy of