A hashtag for genocide: Twitter, the Iran elections and the moral ambivalence of social media

We raised this subject in the wake of the Georgia revolution, but it’s worth bringing up again. In the light Twitter’s starring role in the current election protests in Iran, there’s much talk of the power of social media as a catalyst and enabler for social change, but as Jamais Cascio points out, the morality of a tool depends on the people wielding it… and it’s not hard to imagine it being put to much darker uses, much as other media have been before.

Not because I have any sympathy for Iran’s government, I should hasten to say, or because I see any threat coming from this particular use of Twitter. It scares me because of how close it aligns with something I noted in my talk at Mobile Monday in Amsterdam earlier this month, an observation that happened almost by accident.

In noting the potential power of social networking tools for organizing mass change, I thought out loud for a moment about what kinds of dangers might emerge. It struck me, as I spoke, that there is a terrible analogy that might be applicable: the use of radio as a way of coordinating bloody attacks on rival ethnic communities during the Rwandan genocide in the early 1990s. I asked, out loud, whether Twitter could ever be used to trigger a genocide. The audience was understandably stunned by the question, and after a few seconds someone shouted, “No!” I could only hope that the anonymous reply was right, but I don’t think he was.

Certainly a point worth considering; no doubt there’ll be a backlash – against Twitter, or whatever the latest flavour-of-the-moment equivalent is at the time – once more people start asking the same questions as Cascio has. It should be a self-evident truth, but we need to remember that technology alone won’t make the world a better place; it’s up to us to use it in the right ways.

Cold war getting hotter scenario from 1987

DD-ST-87-08751Alternate-history fans will appreciate these US Department of Defense maps of a projected Soviet invasion of Western Europe, heralding as they would have done the beginning of WWIII:

This map is a really a picture in macro-scale of the epic tank battle for the plains of Germany, that entire generations of Western and Soviet officers built careers around planning and preparing for. In the history of human civilization, the Soviet Western TVD invasion was probably the most researched, contemplated, and gamed out battle that was never actually to take place. Fifty years of voluminous strategic studies were compiled by both sides on this very subject, as both sides searched for advantages in a truly enormous field chess game.

I don’t know enough about the history to say if this is paranoiac or just horrific.

[via the Exile][image and article from TechConex]

Friday Free Fiction for 19th June

Heads up, Friday people – time for your weekly wheelbarrow of free science fiction stories from the far-flung bends and spirals of the intertubes!

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A big batch from ManyBooks this time out:

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But just the one from FeedBooks:

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HUB Magazine presents “Storm CHASER” by Craig Pirrell

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There’s only the one DVD extra from Shadow Unit, but that should be “Sufficient“. Arf!

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Chris Roberson is back in the free-fic saddle with “Annus Mirabilis

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Still coming steady from Fort Stoddard, Eternal Franchise is up to chapter 9.1

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A R Yngve sez:

My homepage has been updated with chapter 6 of my unsold novel The Time Idiot (the ongoing serial). This is a short, funny novel about a dumb man who has gained power far beyond his ability to handle it responsibly — in this case, the power to alter history. (You can call it a metaphor, if you’re into metaphors.)

Cheers, A R!

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Via BoingBoing (and pretty much the rest of the genre sub-web) comes the word that Catherynne M Valente is posting one chapter a week from her superbly-titled YA fantasy novel, The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making

Also mentioned at BoingBoing is a similar effort by a chap called Jonathan, who says “I’ve set myself the target of putting a free short story online every week, and to keep doing just that for a year. […] more than that, I am making these stories available under a Creative Commons Share-alike Licence, hoping that others will take the stories to places that even I can’t imagine.” Well, good on him; go take a look, why don’tcha?

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Once again, SF Signal have a hugely comprehensive post of free fiction for each day of the past week, so go follow those. They also pointed out that Hachette – the people behind SF publisher Orbit Books – have made The Digital Plague by Jeff Somers available to read online, albeit from a rather fiddly Flash interface that crashes my browser (64-bit Kubuntu doesn’t handle these things well, sadly).

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And last but not least, a few short pieces from the ever-reliable Sumit Dam: “The Queen Is Dead” and “Manna“.

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That should keep you out of trouble while the boss finishes off his extended Friday lunch meeting, right? Right – and don’t forget you can drop us a note with any suggestions for next week’s collection. In the mean time, have a great weekend!

What next, steampunk fiction on the iPhone?

Steampunk Tales ezine coverWhy, yes, as it happens. Via Weird Tales comes news of the descriptively named Steampunk Tales e-zine, which is only available to you alpha-geeks who are rockin’ the Cupertino Jesusphone:

Emulating the style of the pulp adventure magazines of the 1920s and ’30s, Steampunk Tales contains first-run, original fiction written by an A+ list of award-winning authors. Issue #1 contains 10 stories, each running between 4,300 to 11,000 words, for the unbelievable price of only $1.99. Authors contributing to issue #1 include Jay Lake, Catherynne M. Valente, SatyrPhil Brucato and G.D. Falksen. The cover art was painted by popular artist Melita “missmonster” Curphy.

$1.99 for ten pieces of fiction by pro writers seems like a pretty good deal; it’s a shame you can’t get it any other way than on an iPhone, though.

What about you Futurismic readers with iPhones – is this the sort of zine format you’d pay for? And how does that price-point look to you?