All posts by Tom Marcinko

Bruce Sterling’s Last Viridian Note

His post before embarking on his next project has been getting a fair amount of attention. At the risk of turning Futurismic into all Bruce all the time, here’s one of my favorite bits:

I strongly recommend that you carry a multitool. There are dozens of species of these remarkable devices now, and for good reason. Do not show them off in a beltpack, because this marks you as a poorly-socialized geek. Keep your multitool hidden in the same discreet way that you would any other set of keys.

That’s because a multitool IS a set of keys. It’s a set of possible creative interventions in your immediate material environment. That is why you want a multitool. They are empowering.

A multitool changes your perceptions of the world. Since you lack your previous untooled learned-helplessness, you will slowly find yourself becoming more capable and more observant. If you have pocket-scissors, you will notice loose threads; if you have a small knife you will notice bad packaging; if you have a file you will notice flashing, metallic burrs, and bad joinery. If you have tweezers you can help injured children, while if you have a pen, you will take notes. Tools in your space, saving your time. A multitool is a design education.

As a further important development, you will become known to your friends and colleagues as someone who is capable, useful and resourceful, rather than someone who is helpless, frustrated and visibly lacking in options. You should aspire to this better condition.

OK. Recommendations for a multitool, anybody?

TV science-fiction: The origin of ‘Doctor Who’

For those of us who like to know where things came from, the BBC Archive Project has posted some amazing memos and reports revealing the thought processes that led to Doctor Who. Typewritten pages with skeptical scrawls reveal conversations with Brian Aldiss and Kingsley Amis. (Imagine such a consultation today.) Wondering if sf could work on tv at all, the network looked at stories like Poul Anderson’s Guardians of Time and C.L. Moore’s “No Woman Born” as possible projects. They almost went with “The Troubleshooters,” about a consulting firm that dealt with otherworldly events. The archive also includes the initial proposal for the series, as well as the (mixed) audience reaction for the first episode of the series that (some of us) know and love.

[Story tip: SF Signal; William Hartnell as the first Doctor, BBC]

Tomorrow’s news: Journalism’s future will look like … ?

As Ed Wood said, future events such as these will concern you in the future. With newspapers shriveling up on our breakfast tables, and TV spewing out tabloid and opinion, what’s going to happen to investigative journalism? Reporter-maven DigiDave says:

What we need right now is 10,000 journalism startups. Of these 9,000 will fail, 1,000 will find ways to sustain themselves for a brief period of time, 98 will find mediocre success and financial security and two will come out as new media equivalents to the New York Times…. I don’t know what that organization will look like or who it will be – but that’s what we need and we face some serious challenges along the way.

Dave’s behind Spot.us, a venture in “community-funded reporting.” People submit tips and fund pitches, and the resulting stories can be used by anyone under Creative Commons. About 10 projects are on the boards. A pitch on the after-effects of a year-ago oil spill on San Francisco Bay’s beaches has raised $500 and needs $300 more. Sounds like slow going, but it beats whining about the good old days.

[Story tip: Journerdism]

Dispatches from the Long Now

Some cool items from the Long Now Foundation:

Since we hope to build the space for the 10,000 Year Clock underground, for the last 10 years I have been collecting references and images of the great, ambitious, and or inspiring underground spaces and stonework of the world (in some cases they are also lessons of what not to do).

The pictures more than reward a click.

And if this project seems more than a little monkish, well, a wine seems appropriate:

Long Now’s eponymous red wine by the Pelissero winery was recently reviewed by Robert Parker’s Wine Advocate. … The labels are printed with archival inks on acid free paper and the corks are flame marked “Long Now”.

[Photo: Laughing Squid]

NASA gets serious about recycling water

When you make that long trip to the planetary system of Fomalhaut, what are you going to drink? New York Times reporter and all-around brave person John Schwartz reports:

How does distilled urine and sweat taste? Not bad, actually…

Your intrepid reporter opened one of the bottles of “Purified Recycled Water” that Mr. [Robert] Bagdigian [leader of the project to recycle stuff on the International Space Station] brought with him. The wryly worded label was a little intimidating: “We use only the finest ingredients! Urine, Perspiration, Food Vapors, Bath Water, Simulated Animal Waste, and a touch of Iodine. No Carbs or Calories Added.”

With that as my verbal drum roll, I took a sip. Aside from a slight tang of iodine, it tasted like, well, water. I’ve had tap water that tasted much more like things I don’t want to think about.

The $250 million water recovery system is on its way to the station, “preparing our home in space for a larger international family,” as NASA’s spokesperson couches it. The system will recycle about 90 percent of the water used aboard the station and could pay for itself in a couple of years. Astronauts don’t seem worried; one of the first customers for the system, Sandra H. Magnus, says: “We drink recycled water every day, on a little bit longer time scale.”

[Apparently my water is OK for space by tom.glanz]