Tag Archives: Fiction

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The near future is not amenable to fiction writers

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That may seem like an odd thing for the editor of a near-future science fiction magazine to say, but if you won’t take it from me, here’s Charlie Stross explaining how real-world changes have twice scuppered a near-future fictional work-in-progress, the most recent problem being that unexpected election result here in the UK:

What sandbagged me was the fact that for the first time in a British general election, more people voted for minority parties than for any of the major players; a coalition or a (weak) minority government was inevitable. Then the libertarian arm of the Conservative party went and formed an alliance with the Liberal Democrats in an utterly unprecedented realignment, and according to the latest polls a majority of the population look set to vote “yes” to electoral reform in a year or so. (Link missing because I can’t find the URL I read last night …) So it’s back to the trenches on “Rule 34”, because I have to do a complete re-appraisal of the world-building scenario underlying it in order to figure out whether it’s still plausible; and if not, I have a lot of patching to do.

The unexpected hits you between the eyes, as Our Cilla once sang. Or in the words of Mark Twain: “Truth is stranger than fiction, but it is because Fiction is obliged to stick to possibilities; Truth isn’t.”

I’m tempted to say that the rise of steampunk and other alternate history modes may be a writerly response to the increasing difficulty of guessing ahead over a short temporal distance; if you immediately frame your story as being set in a reality/timeline different to that inhabited by the reader, you’re safe from those sandbags.

And then you’ve got the mode that William Gibson seems to be pioneering with his latest novels, a sort of “alternate yesterday”, a way of looking at the very near past in a way that throws light on the future that will (or rather should, or might) follow on from it. All well and good… but perhaps we’re reaching a point of extreme social and cultural flux where the notion of media products that can maintain their relevance over long stretches of time is an anachronism.

To put it another way: will the classic books/movies/TV of the twenty-teens be celebrated for their ability to capture something timeless about human nature, or for their amber-trapping of a moment in human time that can no longer be revisited in any other way?

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The Best of Philippine Speculative Fiction 2009, free to read online now

I’m a day late on this one (damn my interminable email inbox), but better late than never. The genre blogging scene is full of people whose energy and devotion to their projects consistently puts me to shame, and there can be no greater exemplar of that than the tireless Charles Tan – who, in addition to a full-time dayjob, routinely battles with a sketchy internet connection as he runs an assortment of other gigs, most of which I fully suspect don’t earn the man a dime. That’s dedication, people.

The latest of Charles’ projects is the Best of Philippine Speculative Fiction 2009 anthology, whose title is probably self-explanatory and which follows on from 2008’s Philippine Speculative Fiction Sampler. All the stories are free to read online, and downloadable as PDF or EPUB files… so bang goes your accessibility excuse for not reading any non-Western spec fic, eh? Here’s the TOC:

Go read. Now!

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The Mongoliad: collaborative shared-world fiction project from Greg Bear, Neal Stephenson and others

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Well, this looks interesting, even if we’ve not got a whole lot of hard facts to go on: The Mongoliad. There’s nothing at that link but a splash image (at least for now), so like everyone else I’m going to clip from The Mongoliad‘s Facebook page:

The Mongoliad is a rip-roaring adventure tale set 1241, a pivotal year in history, when Europe thought that the Mongol Horde was about to completely destroy their world. The Mongoliad is also the beginning of an experiment in storytelling, technology, and community-driven creativity.

Our story begins with a serial novel of sorts, which we will release over the course of about a year. Neal Stephenson created the world in which The Mongoliad is set, and presides benevolently over it. Our first set of stories is being written by Neal, Greg Bear, Nicole Galland, Mark Teppo, and a number of other authors; we’re also working closely with artists, fight choreographers & other martial artists, programmers, film-makers, game designers, and a bunch of other folks to produce an ongoing stream of nontextual, para-narrative, and extra-narrative stuff which we think brings the story to life in ways that are pleasingly unique, and which can’t be done in any single medium.

Very shortly, once The Mongoliad has developed some mass and momentum, we will be asking fans to join us in creating the rest of the world and telling new stories in it. That’s where the real experiment part comes in. We are building some pretty cool tech to make that easy and fun, and we hope lots of you will use it.

Primarily web-based; custom apps for assorted mobile platforms. Nothing that hasn’t been tried (or at least suggested) before, but to my knowledge this is the first web-published shared-world project to come from some really big name authors. There have been others (like the Continuous Coast project, which appears to have ground to a halt if the forums are anything to judge by), but bold experiments like this are always going to have need of the visibility (and, one assumes, investment) that comes with a recognised author if they want to attract a critical mass of attention.

Completely absent thus far (at least after a cursory search) is any information on how The Mongoliad will be monetized, if at all; I suspect that may not be finalised yet, and that they’ve done this teaser launch in order to feel out what aspects the punters are most interested in. Also a lack of detail on how the fan-created content (or the original content, for that matter) will be licensed – I’d love to see it announced as a Creative Commons project, but I rather suspect it won’t be quite that wide open.

So, let’s give them some market research, hmm? Let’s assume The Mongoliad comes as a non-free app: are the listed contributors big enough names that you’d consider paying for a serial novel by them? If so, where’s your price point?

Brain Hacks for Writers

Writing Differently: Picking Up the Scary Tools

If all has gone well with your writing so far, by now you may have some favorite practices: maybe you always outline your pieces, or you just start writing with a vague scene in mind to get to, or you scribble a bunch of scenes on index cards and then try to figure out what order they should go in. You may have a sense of some special strengths and weaknesses: maybe people tell you you have an ear for dialog, or you have trouble with action scenes, or your settings come out convincing and vivid, or you couldn’t write romance if Jane Austen were sitting in your lap.

So, good: you have some favorite techniques to use. This now gives you an opportunity to do something very productive–specifically, to violate them. Continue reading Writing Differently: Picking Up the Scary Tools →

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Glitch trading: narrativizing the actions of algorithms

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Having mentioned the sensitivity of the markets with respect to the UK election results, it makes sense to point out Tim Maly’s recent post about automated trading programs and market movements.

The point is that 60% of stock trades are being done by machines, operating according to a set of algorithms and inputs, which (I’m pretty sure) do not include natural language parsing of the news.

Yet whenever the stock market makes a move, the financial press constructs post hoc narratives that explain what’s happened as a reaction to the news of the day, as if the news is what was was motivating the trades. […]

This fascinates me. Most stock market trading is being done by machines, but the stories we tell ourselves are about humans responding to new information. You can’t interview an algorithm about why it made a certain choice. In the absence of that knowledge, it seems clear that the financial press just makes educated guesses and acts as if correlation is causation. It’s speculative fiction.

Discuss. 🙂