Tag Archives: genre

Genre and storytelling in video games

This month in Blasphemous Geometries, Jonathan McCalmont takes a look at the roles of genre narratives and storytelling in the still-young media of computer and video games, questioning the received wisdom that that the form has matured noticeably from is simple puzzle-solving and goal-reaching roots.

Blasphemous Geometries by Jonathan McCalmont

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We exist in a world of brands. These days you can watch a film, read a book or comic, play a game, drink a cup of coffee and even have sex without ever leaving the vice-like economic grip of your favourite brand. As the darling of the monstrous cultural artefacts that are summer blockbusters, science fiction is at the cutting edge of what Media Studies theorists call Remediation.

Remediation is the idea that, rather than existing along a fixed technological time-line with new forms emerging fully-formed from new technology, new forms of media are produced via a process of back-and-forth between new technology and older mediums. As video game designers draw more and more hungrily upon literary and cinematic works of science fiction, it is important to think about what the process of remediation does to these works and how the process might be improved. Continue reading Genre and storytelling in video games

To a Delightful Weekend in the Country: the New Generation of British SF

This month in Blasphemous Geometries, Jonathan McCalmont takes a look at the new generation of British science fiction writers.

They can be hard to spot – for one thing, they’re not explicitly marketed as such. And furthermore, instead of describing futures defined by ever-increasing complexity, they seem preoccupied with the very British pursuit of “getting away from it all”.

Blasphemous Geometries by Jonathan McCalmont

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In the November 2003 issue of Science Fiction Studies, Roger Luckhurst wrote an article entitled “Cultural Governance, New Labour and the British SF Boom”. In the article, he describes the emergence of a new generation of British SF authors in the context of a series of cultural shifts that neatly coincided with the election of New Labour in 1997. With the once glorious political force that was New Labour now consuming itself in flames of incompetence, cowardice, corruption and authoritarianism, it seems an appropriate time to look ahead to the next cycle of boom and bust in British Science Fiction; to a generation of authors intent upon leaving it all behind. Continue reading To a Delightful Weekend in the Country: the New Generation of British SF

How to Communicate More Effectively, Part 7 – Bringing it All Together

[How to Communicate More Effectively is a series of guest posts from Gareth L Powell. In case you missed ’em, here’s part 1, part 2, part 3, part 4, part 5 and part 6.]

As writers, bloggers, editors and publishers, we’re in the business of communication. Over the last week, I’ve outlined one strategy you might use to get your message across to your audience. There are other methods, and I suggest you check out as many as possible, which is why I’ve included a list of reference books at the end of this post.

I hope you’ve enjoyed this guide. Personally, I’ve found the discipline necessary to write good marketing copy has helped me in my creative writing endeavours.

In summary, some final advice for you:

  • Know your audience and write for them.
  • Start with a killer title that they can’t resist
  • Hook them in with the first sentence and don’t let them go.
  • Get them emotionally involved as soon as possible. Make it personal. Give them a reason to care.
  • Use as many short sentences as possible to create pace.
  • Use evocative words that conjure impressions in all five senses – smell, taste, touch, sound, and sight.
  • Avoid clichés.
  • Use positive, action-packed phrases to make your prose come alive.

In these times of dwindling magazine subscriptions and slumping book sales, we need to use every tool we can in order to attract and retain our readership. If we put a fraction of the care and attention we invest in our creative endeavours into marketing them, I’m sure it’ll do us all the power of good.

Further Reading:

  • Scientific Advertising by Claude Hopkins (Free download: http://pge.rastko.net/etext/100010)
  • Write To Sell by Andy Maslen
  • The Copywriter’s Handbook by Robert W. Bly
  • How to Write Sales Letters That Sell by Drayton Bird

How to Communicate More Effectively, Part 6 – Generate Action

[How to Communicate More Effectively is a series of guest posts from Gareth L Powell. In case you missed ’em, here’s part 1, part 2, part 3, part 4 and part 5.]

Having got your audience wanting to subscribe to your magazine, read your blog post, or sign up to your email newsletter, you simply have to close the deal.

You have to tell the reader what you want them to do. Would you like them to contact you? Would you like them to support your cause or buy your book? Or simply check out the other posts on your blog? In order to get them to act, you have to tell them exactly what you want them to do, and how to go about doing it. Keep it simple, direct and to-the-point. You’ve got them wanting your product; all you have to do now is to tell them how to get it.

In addition, you should make sure that what you tell them to do is easy and straightforward. It’s no good asking them to fill out an eight page online questionnaire in order to access your site, because they’re unlikely to bother. Instead, make your download available with one click. Allow them to subscribe online to your magazine. If necessary, give them a phone number and an email address for queries. Make it easy for them to contact you (or take the action you want them to) and they will.

For example:

  • Order online by March 1st
  • Download the new issue FREE by clicking here
  • Send your completed order form to this address
  • Follow this link to buy “A Guide To Space Monsters” on Amazon

How to Communicate More Effectively, Part 5 – Build Conviction

[How to Communicate More Effectively is a series of guest posts from Gareth L Powell. In case you missed ’em, here’s part 1, part 2, part 3 and part 4.]

Making your audience want your product is one thing, convincing them to actually put their hands in their pockets is quite another. You have to get over their natural reluctance to buy or act. This can be done in a number of ways, the most common being the testimonial and the product comparison.

Testimonials are short quotes from celebrities or satisfied customers endorsing the product. Including one or more of these helps to reassure the reader that their decision to buy from you or use your service is a wise and sensible decision.

Comparing your product with a more expensive option also helps to encourage the conviction that the decision is correct.

Similarly, if you’re in a position to offer any sort of guarantee (“Your money back if not 100% satisfied) then this is the place to do it.