Tag Archives: internet

Black Cloud Computing: botnets dwarf legitimate cloud processing providers

Via SlashDot, another reminder of the sheer scale and clout of botnets, all just sitting out there waiting to be rented, no questions asked:

the biggest legitimate cloud provider is Google, based on Joffe’s information, made up of 500,000 systems, 1 million CPUs and 1,500 gigabits per second (Gbps) of bandwdith. Amazon comes in second with 160,000 systems, 320,000 CPUs and 400 Gbps of bandwidth, while Rackspace offers 65,000 systems, 130,000 CPUs and 300 Gbps.

[…]

… their capacity pales to that of the biggest cloud on the planet, the network of computers controlled by the Conficker computer worm. Conficker controls 6.4 million computer systems in 230 countries at 230 top level domains globally, more than 18 million CPUs and 28 terabits per second of bandwidth…

Who says cloud computing will never scale, eh? Added bonus: some forms of hacking may be illegal, but that won’t necessarily stop the US Secret Service from payrolling you to the tune of $75k a year for your work. Guess I should have spent more time programming my Vic20 than reading novels…

Cash for crime: monetizing anonymous street-art

Sweeping maid stencil graffiti by BanksyPity poor Banksy for a moment. There can surely be no better icon of the noughties Zeitgeist in urban art… but how to convert that incredible reputation and kudos into decimal places that will pay the rent? Banksy and his street-art contemporaries are trapped by their medium, because it’s hard to sell off your work when it happens to adorn a fundamental structural component of a building that belongs to someone else. And harder still when any random guy with a sci-fi webzine can freely republish a CC-licensed photograph taken by someone else that just happens to feature your work… oh, Monsieur Derrida, what have we done? [photo by unusualimage, art by Banksy, wall by uncredited building contractor]

If you’re thinking “well, I’m not sure money was Banksy’s motive”, then bravo – and I’m inclined to agree, given how hard he’s worked to stay anonymous (and how easy it would be for him to coast to fame on a brief cash-in and flee once the tide turned). But not so, perhaps, for the hordes of his imitators, and the other career street-artists who first rose to visibility and pseudo-respectability in the wake of the mainstreaming of hip-hop culture, and other creators whose work inhabits the interstices of law; whatever you may think of their methods, motives and legal transgressions, these are real artists doing real work… and they want to make a buck from it, too.

They face a similar problem to that of musicians in the internet age, in that they can’t control the distribution of their actual creation (albeit for very different reasons – musicians suffer from the economics of superabundance, while street artists are at the mercy of a type of scarcity), and so similar business models apply – you sell emphemera and scarce goods connected to the work rather than the work itself. For a street artist, that’s posters and prints, maybe clothing… whatever you can come up with, really.

Seems obvious enough… but unlike musicians, street artists (or at least the ones with any common sense) are obliged to remain anonymous lest they be prosecuted for vandalism. So putting up a URL to your webstore is a bit of a no-no… if the council are willing to email concert promoters who flypost in order to serve notices of prosecution (and believe me, they are), the anti-graff office will be all over your WHOIS records and server logs like a rash once you’ve got a profile big enough for people to want to buy your stuff. What you need is a middle-man who’ll collect your takings and pass them on, but who won’t blow your cover to The Suits.

There’s an old dawn-times saw about the internet that says it has a tendency to destroy middlemen, but if anything, the opposite seems to be true – the internet enables at least as many new middlemen business models as it destroys. Sure, it gives everyone with access to it an unprecedented ability to communicate directly with most of the world, but who has the time to do that if they’re busy writing novels, recording albums, weaving anatomically-correct crochet models of mammalian brainstems, or sleeping late so they can prowl the city streets at 4am with some stencils, a balaclava and a carry-all full of Krylon? You’re too busy creating your work to market it, so you let someone else handle that side of things for you, and give them a cut of the take for the privilege.

What other forms of work – more legal, or less – could benefit from this sort of anonymous clearing house/stock exchange system? Or are middlemen only flourishing temporarily in this frontier-esque era because the tools to accomplish the necessary tasks aren’t easy for newcomers to get to grips with?

Swapping the Senate for Reddit, and other daft ideas about digital democracy

Pool's closed (due to extropianism)For the sake of change-around, I’m gonna let someone else propose the wild idea this time. So, how’s about you US citizens swap your Senate for something like Reddit.com? [image adapted from a photo by cliff1066™]

Let’s abolish the Senate! Replace it with something truly new and egalitarian, a system that gives us thrilling optimism and empowerment, something far more representative than the so-called “House of Representatives” […] My proposal is to replace the moldering Senate with an electronic plebiscite system, i.e., something like Reddit.com.

Here’s how it works.

  1. Everyone who reaches voting age gets a log-in ID and a password.
  2. All bills advanced by the House of Representatives are posted on “reddit.com” for approval.
  3. Upvote or Downvote, voters get two weeks to cast their ballots and to state their opinions in comments as lengthy and as often as desired.
  4. The millions of comments are categorized in an efficient way so that the curious public can read all existing viewpoints. They are, in turn, also upvoted and downvoted as people find them more or less relevant.
  5. At the end of two weeks, all proposals that have received 60% (or another agreed-upon number) approval are enacted into law.

That would be just the start, apparently… :-s

Look, I’m a proponent of the idea of digitising democracy, but Reddit itself is a great example of why it wouldn’t work for major policies at a national scale. The tyranny of the minority, a banal hegemony of kneejerk special-interests NIMBYism and me-too-gimme-gimme… not entirely unlike a lot of the Western world as it already stands, in other words, albeit with more cat videos (which would admittedly be something of an improvement).

But if you can’t see how easily that sort of plebiscite framework could be gamed (let alone hacked)… well, you were a bit bold naming your website “Extropism”, let’s put it that way. Rhizomatic digital democracy could work, sure, but only in small numbers over small areas. You wanna go national with plebiscite, you need to think again, especially in a territory as large as the US – and you’re going to have to think about representatives in some shape or form, because there’s too much law and too little time for us everyday Josephines to deal with it at the same time as holding down a job. Now, if you want to talk about ways of building a representation system with total transparency and full-duplex discussion between the people and the rep, though, that’s another argument entirely…

That said, it’s hard not to be sucked in by the illusion of participation that the internet already offers – I’ve signed more petitions in the last two years than I have in my entire life, just because it’s so damned easy to do online. But things easily done are easily ignored, and that nice warm glow you get afterwards is the glow of complacency. You may not believe me, but the big charities and campaign groups are certainly waking up to it:

“… underlying slacktivism isn’t enough — you can’t just turn your profile green. If you show support you are lazy? No. But there has to be a number of people taking actions in the real world, too.” Anderson said.

It is this growing trend to show support via an online campaign that is threatening human rights movements across the globe, and the panel quickly picked up on the drawbacks of the internet in promoting false activism.

“I coined the phrase ‘mousy solidarity’ to explain how easy it is to click on a petition. We feel like we can participate.” said Professor Sreberny.

What was made clear from the event was that both sides — activists and regimes — can see the potential for technology to promote their cause. But it was the words of a press spokesman for hosts Amnesty International that really struck home, underlining the need to continue to fight across several platforms, rather than relying on new trends to promote the cause.

Speaking of supporting political protest against corrupt regimes, everyone seems a little stuck on this whole Iran business. Why don’t we just bombard Iran… with satellite internet signal!

This would be an invaluable help for a movement that the government can currently easily hinder with telecommunication cuts in the wake of large demonstrations. Most importantly, and from a US policy perspective, it would empower Iranians without committing troops or confronting the Iranian regime directly, solving the dilemma of American non-interference.

(Ah, non-interference is a dilemma, now? Is that another word for “knowing that there’s no legal way to pull it off, and remembering how badly it worked out last time?”)

Complications might, of course, arise. The Iranian government can crack down on the use of satellite dishes, as it has consistently done in the past, or attempt to jam the signal. The whole project might prove costly, perhaps cost more than the Voice Act’s $20m budget. But is a cyber war with Tehran’s regime not a more palatable route than the other “options” that remain relentlessly on the table?

Um. This chap somewhat misses the point of cyberwar – namely that the people opposing you on the web don’t necessarily have to be based in the country you’re trying to face down, or even care much about it beyond some vague and naive notion of religio-cultural brotherhood – but the idea itself isn’t entirely crazy.

In fact, if I wanted to destabilise a totalitarian regime with a censorship fixation, giving its people open internet access is one of the first things I’d want to be able to do… which leads me to suspect that toppling the Iranian regime probably isn’t as big a priority for the governments of the West as they might like us to think.

But maybe it would be, if we all just popped over to Reddit and clicked “upvote” enough times through multiple different proxy servers…

The artwork that sells itself

Consider, for a moment, the trials and tribulations of the plastic artist. You create your masterpiece, and – if you’re lucky – you sell it. And that’s your lot – not only is it beyond your control once it leaves your studio, but it can’t make you any further income.

Or can it? Caleb Larsen thinks he’s found a way to keep a persistent revenue stream flowing back from his latest piece, a featureless black plastic box entitled A Tool to Deceive and Slaughter; once it arrives at its new owner’s home or gallery and gets plugged in to power and ethernet sockets, it will wait for a handful of days before logging into eBay and putting itself up for auction again:

“Inside the black box is a micro controller and an Ethernet adapter that contacts a script running on server ever 10 minutes. The server script checks to see if box currently has an active auction, and if it doesn’t, it creates a new auction for the work. The script is hosted on a server to allow for updates and upgrades if and when the eBay API (the interface used for 3rd party programs to talk to eBay) changes.”

The technology is designed specifically so that the buying and selling process could carry on ad infinitum, suggests Larsen, who adds that, if eBay “dries up and disappears, then another platform, either propriety or public, can be used for the selling.”

However, the process is also reliant on purchasers agreeing to stringent rules. There are, in fact, 18 terms listed on the eBay auction site, although Larsen is confident that buyers will comply because they could make money by doing so.

Here’s how it works. The purchaser can set a new value for the artwork, which must be based on “current market expectations” of Larsen’s work, and which could be considerably more than the price they paid. When A Tool to Deceive and Slaughter decides it wants to be sold again, bidders will start their battle at the value set by the current owner.

This is where the art collector could make money. However they must first pay any fees to eBay and give Larsen 15 percent of any increase in value of the artwork.

I expect that once the novelty of the story has worn off, the income stream will dry up pretty fast; Larsen’s real gain here is notoriety and cultural kudos rather than cold hard cash. But his work is an interesting conceptual collision, and doubtless says something quite profound about the value we place on art, the ephemeral nature of that value, and the abstraction between the creator of a work and its existence independent of him or her – a metaphor for modern parenthood in a networked world?

Or something like that, anyway. [image lifted from linked article; please contact for takedown if required]

The Edge Question 2010: how is the internet changing the way you think?

Just in case you’ve not encountered it before, the Edge Foundation runs an annual open-question session wherein they pick a current topic and pitch it to some of the more interesting and adventurous thinkers of the world.

This year’s question was, simply enough, “How is the internet changing the way you think?”, and the resulting answers – from characters as diverse as Brian Eno, Freeman Dyson and Howard Rheingold – range from concerned through to cautiously optimistic and back again.

This year sees one of my favourite science fiction authors among the respondants; those of you already acquainted with Rudy Rucker’s writing won’t be surprised to see that his vision of the near-future has more than a hint of the psychedelic communal utopia about it:

At this point, it looks like there aren’t going to be any incredibly concise aha-type AI programs for emulating how we think. The good news is that this doesn’t matter. Given enough data, a computer network can fake intelligence. And—radical notion—maybe that’s what our wetware brains are doing, too. Faking it with search and emergence. Searching a huge data base for patterns.

The seemingly insurmountable task of digitizing the world has been accomplished by ordinary people. This results from the happy miracle that the internet is that it’s unmoderated and cheap to use. Practically anyone can post information onto the web, whether as comments, photos, or full-blown web pages. We’re like worker ants in a global colony, dragging little chunks of data this way and that. We do it for free; it’s something we like to do.

Given the choice of fictional futures to inhabit, I’m inclined to think the ones born of Rucker’s mind would be the most fun… 🙂

If you’ve got some time to kill, I recommend browsing through all the Edge question answers; even if you disagree with all of them, I’ll be surprised if you don’t find some serious food for thought (not to mention ideas for stories).