Tag Archives: Jonathan McCalmont

How to Dismantle the Wall Between an Author and Their Work

This month in Blasphemous Geometries: has the intentional fallacy had its day as a critical tool? Should we roll back the stone from the tomb of The Author?

Blasphemous Geometries by Jonathan McCalmont

Jonathan McCalmont suggests that genre fiction fan-writers and critics should cautiously embrace biographical criticism, and examine books and other works in the context of their creator’s mindset.

Continue reading How to Dismantle the Wall Between an Author and Their Work

The Failure of Web 2.0 (with regards to science fiction)

This month in Blasphemous Geometries: has the ‘Web 2.0’ phenomenon been a boon to science fiction fandom?

Blasphemous Geometries by Jonathan McCalmont

Or, asks Jonathan McCalmont, has it simply accentuated its slide from intelligent discussion into naked commercialism? And if so, how can we reverse the trend?

Continue reading The Failure of Web 2.0 (with regards to science fiction)

The Many Roads – and Solitary Path – to Believable Science Fiction

Back in black like an Australian hard rock band long past its sell-by date, it’s Blasphemous Geometries.

Blasphemous Geometries by Jonathan McCalmont

This month, Jonathan McCalmont addresses the issue of believability in science fiction – is the truth of a text based in its scientific accuracy, or somewhere else?

Continue reading The Many Roads – and Solitary Path – to Believable Science Fiction

All mediums are equal – an end to science fiction tribalism

Another month, another inadequate pay-cheque. More empty days and suffocating nights alleviated only by cheap hooch, regrettable takeaways and the occasional all-too-brief orgasm. This is your life… and this is the return of Blasphemous Geometries.

Blasphemous Geometries by Jonathan McCalmont

The critical language of science fiction is balkanised according to the media form which the work being discussed belongs. Jonathan McCalmont suggests it is the critic’s place to encourage a merging of genre’s disparate media tribes. Continue reading All mediums are equal – an end to science fiction tribalism

Criticism of criticism… Fruitless Recursion is go!

Fruitless RecursionHere’s a heads-up for Futurismic regulars who don’t just like reading genre fiction, but who also like reading writing about genre fiction, and who would be interested in reading writing written about writing about genre fiction*…

Blasphemous Geometries columnist Jonathan McCalmont has just committed multiple counts of meta-criticism by posting the first full issue of Fruitless Recursion. Here’s the list of articles for you to get your teeth into:

  • Alvaro Zinos-Amaro’s review of Barry N. Malzberg’s Breakfast in the Ruins.
  • Martin Lewis’ review of Roz Kavenay’s From Alien to the Matrix.
  • Paul Kincaid’s review of David Hajdu’s The Ten Cent Plague.
  • Jonathan McCalmont’s field report on Paul Kincaid interviewing Christopher Priest.

Something for everyone, then. Aspiring meta-critics, take note – Fruitless Recursion is a paying market for critical works, so get writing!

[ * Try saying that quickly before the first coffee of the day has kicked in. ]