Tag Archives: science fiction

Win Wyndham’s five cozy catastrophes

The Midwich Cuckoos - John WyndhamGood news if you’re a fan of classic British sf novels – Penguin Books have just republished five of John Wyndham‘s “cozy catastrophe” books with fresh new artwork, and there’s a competition over at Forbidden Planet where you can get the chance to win them all by answering a ridiculously easy-to-Google question.

The only catch is that you have to sign up for a Forbidden Planet account (if you don’t already have one), but there’s worse outfits to get the occasional email from than a comics and genre fiction specialist, AMIRITE?

The Failure of Web 2.0 (with regards to science fiction)

This month in Blasphemous Geometries: has the ‘Web 2.0’ phenomenon been a boon to science fiction fandom?

Blasphemous Geometries by Jonathan McCalmont

Or, asks Jonathan McCalmont, has it simply accentuated its slide from intelligent discussion into naked commercialism? And if so, how can we reverse the trend?

Continue reading The Failure of Web 2.0 (with regards to science fiction)

The Superstruct Game is go!

Hey, remember me mentioning a kind of Mundane SF/futurist social media roleplaying game back in July? Well, The Superstruct Game finally kicked off this week, and you can get involved on a number of levels – hundreds of participants (including a number of Futurismic staffers) are already helping to invent the future, so hop in and join them.

What are the requirements? That you can imagine what the world might be like in 2019… so ideal for science fiction fans, I’d have thought. Get involved!

BOOK REVIEW: MultiReal by David Louis Edelman

MultiReal - David Louis EdelmanMultireal by David Louis Edelman (Part 2 of the Jump 225 trilogy)

Pyr Books 2008, 522pp – ISBN 1591026474

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Imagine a future in which your body is infested by nanomachines who march to programs downloaded from a ubiquitous information transport system not unlike the Internet. Playing poker? Download a poker face. Nervous? Grab RelaxMeNow(TM) and feel the chill. An emergency coagulation script might even save you from a knife wound.

It’s not all positive, of course. Do you really want computer programmers to tinker with the firing of neurons in your brain stem? Do you want to run the equivalent of Microsoft Windows inside your, with all that implies? Nobody needs a Blue Screen of Death while operating heavy machinery.

The implications of this technology are not just medical and psychological, of course, and from here the author of these conceits, David Louis Edelman, has gone on to create a dystopian future in which this body-enhancing technology has transformed life for billions. The people behind these technological advances have been elevated to status of Gods – in the sense that God Himself, as a creator and sustainer, has been displaced. Socio-psychological thought systems, rational in the general use of the term, have become rather more common than irrational religious groups.

MultiReal is the second volume of the Jump 225 trilogy, set one millennium hence. The first volume, Infoquake, introduced an entrepreneur called Natch, who is a psychologically wounded, driven man who puts success above everything. He comes to own a so-called Fiefcorp and, ultimately, a technology called MultiReal, the technology around which the story revolves.

What is MultiReal? This is never satisfactorily explained, but perhaps that is a deliberate choice from Edelman. We know that the technology allows an originating user to initiate a computational session with a target user. The originator can then trap the target in a loop of possible scenarios for the immediate future. When the originator has chosen the behaviour that he or she wishes the target to exhibit, the MultiReal software compels the target to act – in precisely the manner requested and anticipated by the originator. Thus the originator can influence the choice of the target; can influence muscle movements; and so on.

This is not a wholly original idea, but Edelman’s approach, as ever, is one of implication. What would happen if the target activated a second instance of MultiReal to defend himself? Who would win, and why? It comes down to choice cycles; the user with the greatest number wins. What would happen if the MultiReal technology was released, unadulterated, to the public? The simultaneous use of such a technology might exceed the limit of all available computational capacity. This would lead to the mother of all Infoquakes – nanomachine crashes. And yet what consequences would the differential uptake of MultiReal have for society? What if the ‘haves’ could use it to exploit the ‘have nots’? What bullet-dodging MultiReal army could ever be defeated? These questions are explored, to greater and lesser extents, in the book.

It’s a story of ideas. So many, in fact, that Edelman has provided several appendices and his website includes more than 30,000 words of supplemental material. As a work of fiction, MultiReal improves as it goes on. The protagonist, Natch, is a somewhat reprehensible character, and yet he enjoys moments of high ethical behaviour. The members of his fiefcorp are engaging, if underwritten. The Villains are rather too capital-V for my liking, but Edelman does present some of them with more shades of grey, particularly the cryptic Magan Kai Lee.

Overall, the book is an entertaining read that explores some startling implications of biological programming, and sets the scene nicely for volume three.

Bruce Sterling interviewed at Nebula Awards website

Bruce SterlingRegular readers (including, embarrassingly enough, The Man Himself) will be aware of my status as a card-carrying Bruce Sterling fan-boy, but as it’s a fandom I know many Futurismic readers share I feel I can more than justify linking to a recent interview with Sterling conducted by David de Beer at the Nebula Awards website.

As usual, you get both sides of the Sterling coin: the lengthy and discursive answers:

The Commercial vs the Artistic in writing – is there a genuine difference between these two philosophies or are they artifical attributes? Are they in opposition, and if so, can they meet?

Well, I hang out a lot in countries where the creatives write in minority languages, and really, that’s just not an issue for them.  They know what American commercial writing looks like, but they themselves don’t HAVE any “commerce.” There aren’t enough potential readers to establish a market.

What they DO commonly have is “political writing,” the kind of stuff that gets your fingertips broken by the secret police.  So: take a guy like recent Nobel-Prize winner Orhan Pamuk — super-popular worldwide, a real old-school deep-thinking artsy literatus, and the crazy-fascist wing of the Turkish secret police are trying hard to kill him.  Now that guy is a writer’s writer. He’s got all those supposed oppositions stuffed into one refugee valise.  You know, fretting about a commercial sell-out is the least of Orhan’s problems.

Furthermore, it’s dead obvious that the writing problems that matter in America now are political rather than “commercial” or “artistic”.  America’s suffering a Civil Cold War.  Or at least, they were until the Right’s culture-warriors started losing it.

And the short sharp punches-in-the-nose:

Electronic vs Print publishing – any thoughts on the matter?

You should talk to my colleagues in newspapers.  If you can find any newspapers left.

Go read – even if you’re not a fan of his fiction, Sterling keeps an ear to the ground of reality better than any sf writer of his generation, and that alone makes him worth paying attention to.