The Grand Unified Theory of Artificial Intelligence

Artificial intelligence research has long harboured two basic (and opposed) approaches – the earlier method of trying to discover the “rules of thought”, and the more modern probabilistic approach to machine learning. Now some smart guy from MIT called Noah Goodman reckons he has reconciled the two approaches to artificial learning in his new model of thought [via SlashDot]:

As a research tool, Goodman has developed a computer programming language called Church — after the great American logician Alonzo Church — that, like the early AI languages, includes rules of inference. But those rules are probabilistic. Told that the cassowary is a bird, a program written in Church might conclude that cassowaries can probably fly. But if the program was then told that cassowaries can weigh almost 200 pounds, it might revise its initial probability estimate, concluding that, actually, cassowaries probably can’t fly.

“With probabilistic reasoning, you get all that structure for free,” Goodman says. A Church program that has never encountered a flightless bird might, initially, set the probability that any bird can fly at 99.99 percent. But as it learns more about cassowaries — and penguins, and caged and broken-winged robins — it revises its probabilities accordingly. Ultimately, the probabilities represent all the conceptual distinctions that early AI researchers would have had to code by hand. But the system learns those distinctions itself, over time — much the way humans learn new concepts and revise old ones.”

It’ll be interesting to watch the transhumanist and Singularitarian responses to this one, even if all they do is debunk Goodman’s approach entirely.

Fabber viruses

Among the obligatory swathe of spoof posts for 1st April this year was one from 3D printing outfit Shapeways, who claimed to have fallen victim to the first proof-of-concept virus for fabricators[via Fabbaloo].

The best spoofs always have an element of truth, or at least truthiness. While Shapeways have fabricated this particular incident (arf!), its believability hinges on the fact that 3D printing is a networked technology, and that everything can and will be hacked.

Sven Johnson has already sent back reports from an imperfect future regarding 3D spam, which is likely to be as ubiquitous as it is for email and fax machines (which some people really do still use, apparently), but is there any scope for piggybacking illegal or exploitative content on legitimate 3D design files (like some form of steganography)? I don’t know enough about viruses or 3D design software to be certain, but my guess would be that if someone can think of a way to make a fast buck from it, it’s going to happen eventually.

Awards season

Well, I’m back from Eastercon, and – as is traditional at this time of year – the genre fiction awards cycle is gearing up, with results and nominations and longlists flying in every which direction.

At Eastercon itself, China Mieville took the BSFA Best Novel award while the inimitable Ian Watson and Roberto Quaglia took the Short Fiction gong, and we got to hear the Hugo nominations announced to the world; last week saw the Arthur C Clarke Award shortlist announced, and the Philip K Dick Award has just been called for Bitter Angels by C L Anderson – the latter being both a book and author of whom I am completely unaware.

If nothing else, the genre scene’s ability (and will) to debate the merits of the the work produced within it (and, in some cases, beyond it) shows little sign of going away… and as far as I’m concerned, that’s the very best thing about all these awards. I’m much less bothered by who wins than I am by the discussions they generate about the winners, the losers and the utterly overlooked.

But I was thinking perhaps I should start some sort of Futurismic annual-awards-type-of-thing, if only because our reader demographic here is skewed rather more away from regular fandom (if there can be said to be any such thing) than many other genre webzines. What do you think? Suggestions for categories and nominees more than welcome – pipe up in the comments. 🙂

Away at Eastercon

Hey, folks – just a note to let you know I’m away drinking beer and talking books networking with other sf publishing professionals at Eastercon this weekend, and that I’m treating it as a largely-away-from-the-internet holiday.

Of course, I’m never completely away from the internet (who is?), but what I mean is that I’m not working this weekend, which means no posts here, and Sarah’s next episode of Personal Information will be posted a little later than usual (unless I convince someone to lend me a laptop for half an hour). Yeah, I know, the real blog pros write new content in advance, or get in a guest blogger to fill the gap… but time has been both short and fraught of late, I’m afraid, and I had no chance to do either. My bad. Forgive me? Go read Eric Del Carlo’s new story instead. Go on.

Who knows, though – if I’m moderately drunk you’re really lucky, I might post some fuzzy cameraphone shots of genre fiction notables from my phone… and you can always follow my ramblings on Twitter for on-the-spot reportage and BSFA Award results and stuff (as well as via other attendees on the #eastercon hashtag, no doubt). How’s that for a deal sweetener, huh?

Have a good weekend, everyone. 🙂