Monthly Archives: May 2010

Blog

The near future is not amenable to fiction writers

1 Comment

That may seem like an odd thing for the editor of a near-future science fiction magazine to say, but if you won’t take it from me, here’s Charlie Stross explaining how real-world changes have twice scuppered a near-future fictional work-in-progress, the most recent problem being that unexpected election result here in the UK:

What sandbagged me was the fact that for the first time in a British general election, more people voted for minority parties than for any of the major players; a coalition or a (weak) minority government was inevitable. Then the libertarian arm of the Conservative party went and formed an alliance with the Liberal Democrats in an utterly unprecedented realignment, and according to the latest polls a majority of the population look set to vote “yes” to electoral reform in a year or so. (Link missing because I can’t find the URL I read last night …) So it’s back to the trenches on “Rule 34”, because I have to do a complete re-appraisal of the world-building scenario underlying it in order to figure out whether it’s still plausible; and if not, I have a lot of patching to do.

The unexpected hits you between the eyes, as Our Cilla once sang. Or in the words of Mark Twain: “Truth is stranger than fiction, but it is because Fiction is obliged to stick to possibilities; Truth isn’t.”

I’m tempted to say that the rise of steampunk and other alternate history modes may be a writerly response to the increasing difficulty of guessing ahead over a short temporal distance; if you immediately frame your story as being set in a reality/timeline different to that inhabited by the reader, you’re safe from those sandbags.

And then you’ve got the mode that William Gibson seems to be pioneering with his latest novels, a sort of “alternate yesterday”, a way of looking at the very near past in a way that throws light on the future that will (or rather should, or might) follow on from it. All well and good… but perhaps we’re reaching a point of extreme social and cultural flux where the notion of media products that can maintain their relevance over long stretches of time is an anachronism.

To put it another way: will the classic books/movies/TV of the twenty-teens be celebrated for their ability to capture something timeless about human nature, or for their amber-trapping of a moment in human time that can no longer be revisited in any other way?

Blog

The Best of Philippine Speculative Fiction 2009, free to read online now

I’m a day late on this one (damn my interminable email inbox), but better late than never. The genre blogging scene is full of people whose energy and devotion to their projects consistently puts me to shame, and there can be no greater exemplar of that than the tireless Charles Tan – who, in addition to a full-time dayjob, routinely battles with a sketchy internet connection as he runs an assortment of other gigs, most of which I fully suspect don’t earn the man a dime. That’s dedication, people.

The latest of Charles’ projects is the Best of Philippine Speculative Fiction 2009 anthology, whose title is probably self-explanatory and which follows on from 2008’s Philippine Speculative Fiction Sampler. All the stories are free to read online, and downloadable as PDF or EPUB files… so bang goes your accessibility excuse for not reading any non-Western spec fic, eh? Here’s the TOC:

Go read. Now!

Blog

The Cyclenet: Bangladeshi InfoLadies bring web benefits to the unwired

Here’s another story that’s all over the shop (I got it via both MeFi and Chairman Bruce), that reminded me a fair bit of Geoff Ryman’s Air: a report at The Guardian about “InfoLadies” in Bangladesh, young women who saddle up on a bicycle with a netbook, a mobile phone and a bunch of medical supplies in order to sidestep corrupt infrastructure, deliver useful knowledge to rural citizens, and transform their lives in the process.

“Ask me about the pest that’s infecting your crop, common skin diseases, how to seek help if your husband beats you or even how to stop having children, and I may have a solution,” says a confident Akhter.

“An InfoLady’s netbook is loaded with content especially compiled and translated in local Bangla language,” says Mohammed Forhad Uddin of D.Net, a not-for-profit research organisation that is pioneering access to livelihood information. “It provides answers and solutions to some of the most common problems faced by people in villages.”

[…]

The success of the InfoLadies is making the failure of the state more noticeable. “We have corruption and political interference in every sector,” says Gullal Singha, a state executive officer of Sagatha sub-district. Sagatha is severely affected by soil erosion and is home to the poorest of the poor. “Even the ultra-poor entitled for food relief are segregated as Bangladesh Nationalist Party poor or Awami League poor,” says Aziz Mostafa, an elected representative of a local civic body.

This explains why thousands of Bangladeshis have embraced InfoLadies and their laptops, which are making lives easier and arguably better. “In most cases I’m able to provide an instant solution using my database,” says Luich, who is educated to secondary school level. For skin infections, she sends the patient’s picture to her organisation’s call centre in Dhaka, where experts help with diagnosis and advise hospital referral if required.

“In many places there are no doctors for miles, and fatalities for easily curable diseases are very high. An InfoLady can save lives,” says Shahadat Hossain of NGO Udayan Sabolombi Shangstha. Government statistics show Bangladesh has only three doctors per 10,000 people.

This is certainly a very disruptive thing to be happening, and it looks as if the disruption is largely positive so far, at least for the villagers themselves – I’m not sure the minor functionaries cut out of the baksheesh loops will be so pleased, for instance. But there’s a kind of technological (or maybe informational) colonialism occuring here, too; it’s not inconceivable that the men and clerics so discomforted by the InfoLadies might find that many of the changes taking place are not to their liking… and that could get ugly. The state won’t like being made to look superfluous to people who already consider it to be little more than an apparatus of exploitation, either; I’m not sure which I feel less sorry for.

How long before the InfoLadies get a sense of personal kudos and cultural agency about their transformative outsider status, start wearing a lot of American Apparel threads and riding fixies? Less snarkily, how many rural daughters will want not just to learn new things from the InfoLadies, but to follow in their footsteps? And how many traditionalist fathers will accept that? Change is a double-edged sword; in Bangladesh and other developign nations, the incredible speed with which cultural change will occur (as the world and its wide web encroaches closer) will be individually empowering, but collectively destabilising. Choppy seas ahead, captain.

Blog

The Mongoliad: collaborative shared-world fiction project from Greg Bear, Neal Stephenson and others

3 Comments

Well, this looks interesting, even if we’ve not got a whole lot of hard facts to go on: The Mongoliad. There’s nothing at that link but a splash image (at least for now), so like everyone else I’m going to clip from The Mongoliad‘s Facebook page:

The Mongoliad is a rip-roaring adventure tale set 1241, a pivotal year in history, when Europe thought that the Mongol Horde was about to completely destroy their world. The Mongoliad is also the beginning of an experiment in storytelling, technology, and community-driven creativity.

Our story begins with a serial novel of sorts, which we will release over the course of about a year. Neal Stephenson created the world in which The Mongoliad is set, and presides benevolently over it. Our first set of stories is being written by Neal, Greg Bear, Nicole Galland, Mark Teppo, and a number of other authors; we’re also working closely with artists, fight choreographers & other martial artists, programmers, film-makers, game designers, and a bunch of other folks to produce an ongoing stream of nontextual, para-narrative, and extra-narrative stuff which we think brings the story to life in ways that are pleasingly unique, and which can’t be done in any single medium.

Very shortly, once The Mongoliad has developed some mass and momentum, we will be asking fans to join us in creating the rest of the world and telling new stories in it. That’s where the real experiment part comes in. We are building some pretty cool tech to make that easy and fun, and we hope lots of you will use it.

Primarily web-based; custom apps for assorted mobile platforms. Nothing that hasn’t been tried (or at least suggested) before, but to my knowledge this is the first web-published shared-world project to come from some really big name authors. There have been others (like the Continuous Coast project, which appears to have ground to a halt if the forums are anything to judge by), but bold experiments like this are always going to have need of the visibility (and, one assumes, investment) that comes with a recognised author if they want to attract a critical mass of attention.

Completely absent thus far (at least after a cursory search) is any information on how The Mongoliad will be monetized, if at all; I suspect that may not be finalised yet, and that they’ve done this teaser launch in order to feel out what aspects the punters are most interested in. Also a lack of detail on how the fan-created content (or the original content, for that matter) will be licensed – I’d love to see it announced as a Creative Commons project, but I rather suspect it won’t be quite that wide open.

So, let’s give them some market research, hmm? Let’s assume The Mongoliad comes as a non-free app: are the listed contributors big enough names that you’d consider paying for a serial novel by them? If so, where’s your price point?