Tag Archives: art

The bankruptcy auction that wasn’t

Here’s an interesting art installation that involves some science fictional thinking. Toys by Tomasso Lanza features digital renderings of assets to be sold at auction following the bankruptcy filing of a fictional Enron-like corporation. we make money not art explains:

The quick collapse of the company led to a fire-sale of most of ENT’s assets. In the months following the Chapter 11 filing, the liquidation team split the enormous sale across a number of auction dealers. Lanza created a photographic essay of some of the items surfaced by the bankruptcy auction, some of them perfectly mundane (executive chairs, workstations, gold balls and clubs, luxury cars, a range of sat nav, etc.), others fictitious. They are listed in the catalogue of an auction that dealt with low to mid-valued items and leftovers from previous auctions; despite the low-key of the sale, the dealers got their hands on a few items which were sold at much higher prices than originally expected thanks to their unique nature.

The fictitious items are straight out of a near-future/present day satire of corporate secrecy and hubris.

stock value viewfinder

This lot consists of an off-the-shelf viewfinder, plugged into some sort of digital tuning device with the words FTSE, DAX, HSI, DSM200, PHLX/KBW, MIBTEL, NIKKEI, NYSE, NASDAQ etched on. There is no documentation provided, although it is believed that these devices were secretly owned by a small number of executives and used for monitoring stocks and other financial products too sensitive to be displayed on-screen or retrieved on the company’s computers.

Judging books by their covers

Nothing raises groans like a discussion of book cover artwork – especially in genre fiction, where authors and readers alike have frequently found themselves with a great story bound up in an awful jacket. Things are far better than they used to be, though – at least at the cutting edges of fantasy and science fiction, where decent budgets and experienced editors are making wise choices. Indeed, an informal survey of the ARCs and proof copies that cross my desk suggests that explosive growth in tacky book jackets is currently ensconced in the urban-fantasy/vampire-boffing market. There’s probably at least one graphic design guy who makes a living purely from photoshopping vaguely tribal tattoo designs onto the lower backs of scantily-clad weapon-toting women…

But as pointed out by Brian James over at Tor.com, trashy cover art is usually a calculated marketing move intended to broaden a book’s potential appeal. They’re not really designed for those of us die-hard readers who already know what we want; they’re meant to snare the casual browser into making a purchase. Which is all well and good, but it doesn’t feel like much compensation for those of us who read genre fiction on public transport.

But carping aside, why don’t we share a few favourites – examples of great cover art that sold you a great book you’d otherwise not have bought, or examples of cover art so risible you were tempted to rip it off permanently to avoid the shame? The categories can overlap: I remember being quite attracted to the paperback Elric reissues with the Michael Whelan covers as a teenager, but I also remember the ridicule that accompanied reading them in front of my peers.

How about you – got a love/hate relationship with the jacket of a favourite book? Name and shame!

A material world

layersA rather touching story of one man’s creation of a vast materials library of weird and wonderful substances, Mark Miodownik talks about the Kings College Materials Library:

There are turbine jet-engine blades grown from a single crystal and designed to function in the most inhospitable places on the planet. There’s a swatch of the world’s blackest black, 25 times blacker than conventional black paint. There’s a lead bell that refuses to ring, a piece of bone with a saw through it, and the largest blob of Silly Putty you’re ever likely to see.

The philosophy behind the project is charming as well, an attempt to bridge the gap between the two cultures of science and art:

“It’s a way into science for arts people,” Miodownik says. “And for the scientists it’s a lesson in aesthetics and the sensual nature of what they’re doing. It’s a place for people to go to who have an idea floating around the back of their head that hasn’t bubbled to the surface yet.”

[image from doug88888 on flickr][from the FT]

The bludgeoning of Gepetto: how “free” culture killed creative careers

The free content culture of the internet is democratising art and music, and is leading us to a digital playground where everyone can make some money out of their creations, right? Well, that’s not how it worked out in Sven Johnson’s Future Imperfect

Future Imperfect - Sven Johnson

Continue reading The bludgeoning of Gepetto: how “free” culture killed creative careers

I dance the body electric

Remember us mentioning that electrically-conductive body paint a little while ago? If so, you might remember thinking “well, OK, but what the hell would you actually use it for?” – I know I did.

Well, here’s your answer – or one of them, anyway. Take one large perspex box covered with hundreds of of little electrical nodes that are linked to some sort of synthesizer engine, and add one painted-up and limber dance-trained young lady with a willingness to experiment and make some noise; add them together, and you’ve got something you might have seen in Buck Rogers… if that series had been more prone to episodes set in strip clubs or techno-artist squat-communes. Observe:

[via PosthumanBlues; apologies to Walt Whitman for the headline]