Tag Archives: science fiction

Alastair Reynolds on writing an optimistic future

The Borders Sci-Fi blog is currently hosting Alastair Reynolds as guest blogger, and it’s interesting seeing him talk about optimism in science fiction, and his personal quest to avoid melodrama in his plotting; evidently writing a piece for the Shine anthology got him thinking about the idea pretty seriously (even if his story in said anthology isn’t very serious).

Here’s Reynolds describing the basic setup for a new series of novels he’s starting on, and pondering the obstacles to producing an exciting plot when you eschew the now-traditional dark background of sf:

I wanted to keep the whole thing entirely free of those naughty thriller elements, but at the same time I wanted to make it readable and exciting. It can’t be impossible, I reasoned – Clarke did it all the time. Of course, Clarke had a mind like a planet … but you’ve got to try, haven’t you? So my groundrules, going into book 1, were basically as follows:

  • No wars. War is effectively eliminated by the mid 22nd century, largely due to a benign world-spanning mesh of ubiquitous computing, implant technology and robotic telepresence – something I call the “Mechanism”.
  • No crime. You can’t steal anything, since everything in the world is tagged and trackable. You can’t injure someone, since there are no weapons and anything that might, in principle, be used as a weapon is being tracked and monitored by the Mechanism. You can’t even pick up a rock and try and club someone. The Mechanism will detect your intentions and intervene.
  • No one is ever unintentionally out of contact with anyone else. Almost all conversations are effectively public. Nothing is ever forgotten or misplaced – “posterity engines” are recording every second of your life from the moment of birth.
  • No poverty. No famine. No plagues. On the plus side: mass literacy, and global access to technologies of seamless telepresence and information retrieval. Almost no accidental deaths due to technological failure. A median lifespan of 150, and increasing. Rapid interplanetary travel, and a burgeoning, peaceful, solar-wide economy.

But it’s not utopia. There are still lots of reasons to be miserable or less than ecstatic. There’s still money, but not enough for everyone to have as much as they’d like (so scientists still  have to fight for funding, and artists still have to take on tacky commissions), and there are still nation states and governments and politics. There are still some forms of scarcity and the environmental damage of the previous two centuries is only slowly being undone. In other words, it’s a future that, right now, I can sort of take seriously … but that’s just my take, of course. You might find it laughably implausible.

The hard part is, how do you get a story going when you can’t have crime, you can’t have war, you can’t have accidents and disasters? That, really, is the problem I’ve been bashing my head against for the last year.

Now that’s a book I really want to read. What about you lot?

And Mr Reynolds, just in case you’re reading this, and you maybe wanted to kick around ideas for this new setting in the short fiction format, but you were wondering where you could get them published, well… 😉

The Best of Philippine Speculative Fiction 2009, free to read online now

I’m a day late on this one (damn my interminable email inbox), but better late than never. The genre blogging scene is full of people whose energy and devotion to their projects consistently puts me to shame, and there can be no greater exemplar of that than the tireless Charles Tan – who, in addition to a full-time dayjob, routinely battles with a sketchy internet connection as he runs an assortment of other gigs, most of which I fully suspect don’t earn the man a dime. That’s dedication, people.

The latest of Charles’ projects is the Best of Philippine Speculative Fiction 2009 anthology, whose title is probably self-explanatory and which follows on from 2008’s Philippine Speculative Fiction Sampler. All the stories are free to read online, and downloadable as PDF or EPUB files… so bang goes your accessibility excuse for not reading any non-Western spec fic, eh? Here’s the TOC:

Go read. Now!

How not to get published: cash prizes for readers

The rise of the internet has seen many frustrated aspiring authors turn to forms of self-publication and showy promotional gambits in the hope of catching the eye of someone with a cheque-book and a pile of blank contracts, but this is probably the most spectacularly desperate-sounding tactic I’ve heard of so far: offering US$3,000 in cash prizes to people who can answer questions based on a close reading of the novel in question [via PD_Smith].

Furthermore (as if the general public needed more encouragement to sneer at the genre), the guy’s a science fiction author…

Riley decided to post the novel online for free earlier this month, giving those who read it the chance to win a chunk of a $3,000 prize money pot if they answer questions about the book correctly.

“I’m hoping that publishing the book online and pretty well paying people to read it will get it noticed on the internet, and ultimately discovered by a legit publisher,” said Riley on his website. “Crass gimmick? You bet. But if it works, I won’t look back.

I’m 65 god-damned years old, this novel means more to me than anything in the world, and I’m desperate to get it published while I’m still alive. I know this may sound odd, but I feel western society needs this book. It’s a contribution I feel I must make.”

A quick scan of the first few pages suggests that Riley failed to sell his novel for the same reason that a lot of people fail to sell science fiction novels: he doesn’t appear to have read any that were published after 1975 or so, his infodumps make Asimov look like a minimalist poet, and the narrative mode he’s using is… well, let’s say “changeable”. In other words, I’m willing to bet that it’s just not very good, and even the prospect of winning a chunk of money isn’t enough to entice me to read any further.

However, Riley might end up with some degree of immortality from his experiment – if the Guiness Book of Records doesn’t have an entry for “biggest fee paid for an ultimately unsuccessful manuscript critique”, it’s high time they wrote one up. I honestly feel sorry for Riley – he obviously really wants to be a published author – but he’s about to find out, at great expense, that there aren’t any shortcuts.

Gizmo landscapes, gonzo worldbuilding

Here’s an interesting thought experiment which feels science fictional to me – not science fictional in the “making things up about the future” sense, but in the “teasing the bigger picture out of smaller things” sense. Rob Holmes of mammoth invites us to think about the infrastructural landscapes that support a single use of a consumer-level technological artefact; his Zeitgeist-friendly example is, naturally, some web browsing done on an iPhone somewhere in Brooklyn [via MetaFilter].

The iPhone, however, is not only dependent upon highly developed systems in its production, as Banham acknowledges all such objects have always been, but is also now equally dependent in its operation upon a vast array of infrastructures, data ecologies, and device networks.  Even acknowledging this, though, and realizing that its operative value comes from its ability to tap those data ecologies and attendant socially-constituted bodies of knowledge, it is still possible to miss the landscapes that it produces. Until we see that the iPhone is as thoroughly entangled into a network of landscapes as any more obviously geological infrastructure (the highway, both imposing carefully limited slopes across every topography it encounters and grinding/crushing/re-laying igneous material onto those slopes) or industrial product (the car, fueled by condensed and liquefied geology), we will consistently misunderstand it.

His preliminary examples include the mines that supply the rare semiconductor elements used in chips and touchscreens, the factory megacomplexes where they’re designed and built, the server farms that prop up the internet that the phone connects to, and the transciever arrays that provide the last wireless step in that connection. The point is plain: there’s a whole lot of stuff behind the gadgets in our pockets and satchels that we don’t really think about when we use them.

This is very much like “systems thinking, which I imagine most of Futurismic‘s readers are already familiar with (because you all seem pretty clued up on the science and tech side of things), but which is, as far as I can tell, a fairly uncommon mindset in the population at large (a fact exploited to the fullest by politicians, among others).

But it struck me that it’s also rather like the worldbuilding that informs science fiction: the iPhone is the story, and infrastructure is the imagined world in which it’s set. In both examples, the end user doesn’t need to know anything about the infrastructure, and will probably actively resist being told about it (infodump!). In both examples, that will to ignorance allows the writer/manufacturer a lot of leeway with the infrastructure: so long as thing works, who cares how it works?

I’ll be honest – I’m not sure where I’m going with this, or even if it’s going anywhere at all*. But it gave me a brain-chime, so I’m throwing it out here by way of recording the thought, and to see if any of you can pick up the ball and run with it. Any ideas?

[ * I started writing this post immediately after a post-lunch triple espresso; make of that what you will. ]

Interesting stuff happens at the edges: cyberpunk’s African rebirth

Jonathan Dotse of Ghana has managed to make a modest splash in the sf blogowhatsit, and deservedly so – he’s stated with admirable clarity that the “lawless frontier” aspects of cyberpunk fiction which now seem tired or implausible to readers in the jaded Western world are becoming more pertinent than ever on the African continent.

… here in Africa, development has been dangerously asymmetrical. By the time any product hits our soil it’s already fully-developed and ready to be abused by the imagination. Technology designed for vastly different societies invariably trickles down to our streets, re-sprayed, re-labeled, and hacked to fit whatever market will take it. Regulation? You can forget about regulation.

[…]

It’s no surprise then that lawlessness is the rule on our end of the networks, ‘do what thou wilt’ the full extent of cyber-regulation. This will remain the case as long as Africa continues to wear hand-me-down systems; until she acquires her own truly tailor-made networks. With the huge logistical frameworks that need to be implemented, spanning vast swathes of geographical terrain, political regimes, and language barriers, a cyberpunk future for Africa seems all but inevitable.

This reminds me somewhat of Iain Banks’ comments about his well-known Culture universe – that the interesting* things happen at the edges of stable societies. There’s been a certain degree of navel-gazing in sf criticism circles which has seen people momentarily pondering whether sf has lost its ability to talk meaningfully about the future; Dotse’s post would suggest that the tropes of cyberpunk are still a useful lens on the world that he experiences. So perhaps the problem isn’t with sf as a mode of discourse, but with the state of the Anglophone Western world that is its dominant consumer and producer: maybe things have just gotten too safe for us to say much that hasn’t been said before about our own experience of life.

That may not last, of course – Bruce Sterling’s favela chic/gothic hi-tech dichotomy is being borne out in headlines all across Europe and the US, and I expect we’ll see new fiction that grapples with those ideas (and many others) in the years to come. But for now, the so-called “global south” is inheriting the rush of social and technological flux that turned the more developed nations upside down during the late eighties and nineties, and we can expect that writers there will take up and retrofit the tools of cyberpunk in order to shape their own futures, fictional and factual alike. In fact, I think we should be actively looking for them to do so; it would do us good to be reminded that, for all our angst about our own uncertain futures, the daily experiences of millions of other people highlight just how stable and comfortable we really are. As we adjust to a global economy where adaptive reuse, thrift, hacking and making-do become skillsets that we need to reacquire, we can probably learn a lot from nations where they’ve been necessities for decades. We’ve let our sense of entitlement deafen us for far too long; it’s time to listen to the voices from the edges, and beyond them.

And if Dotse can write stories as well as he can grandstand, he’ll be a name to watch. So if you decide to try your hand at short stories, Jonathan, we’d love to see them when we re-open to submissions later in the year… 🙂

[ * For clarity – ‘interesting’ here refers to the sorts of things that make for interesting fiction stories, rather than a more general form of interest. ]