Tag Archives: science fiction

Weird…

Neal Stephenson’s new novel Anathem is to be published on the 9th September (according to Amazon). There is a kinda weird movie that claims to have something to do with the book (made by these folks apparently, though the movie is… vague and weird. I mean, it piqued my interest but I was probably going to buy the book anyway.

Even more compelling is the Amazon promotional video of Neal Stephenson himself reading an extract from the book. There is also a further video here of Stephenson discussing some of the ideas that go into the book:

Looks pretty good.

[via Slashdot]

BOOK REVIEW: Sagramanda by Alan Dean Foster

Sagramanda - Alan Dean FosterSagramanda: A Novel of Near-Future India by Alan Dean Foster

Pyr Books, 2008, 290pp, $25, ISBN 1-59102-488-9

***

In the Indian city of Sagramanda, a scientist, Taneer, steals secrets from the multi-national biotech company he worked for and goes on the run, trying to find a buyer for what he has stolen at the same time as avoiding the inevitable retribution.

There seems to be an increasing number of science fiction novels by western writers set in non-western locales; Jon Courtenay Grimwood’s Arabesk books and Ian McDonald’s River of Gods are obvious examples. As the economic future of humanity seems to be moving ever more in that direction, it seems inevitable that more sf is being set in the emerging nations. This brings its own dangers for western writers as they attempt to reflect the cultures of these countries in a way which neither patronises nor demonises them, but which simultaneously remains honest about their issues. Continue reading BOOK REVIEW: Sagramanda by Alan Dean Foster

NEW FICTION: THE PLASTIC ELF OF EXTRUSION VALLEY by David McGillveray

This month David McGillveray returns to Futurismic with a new story, “The Plastic Elf of Extrusion Valley”. Strange things are afoot in the computer-controlled fabrication farms of Germany’s Altes Land

The Plastic Elf of Extrusion Valley

by David McGillveray

A cold October breeze came down from the North Sea, but no leaves rustled in the plastic forest. Instead, an eerie, fluting music played in the valley as the wind moved over the tall cylinders like a kid blowing over bottle tops.

My midnight walks were one of the few pleasures I took from working in the extrusion fields. Despite the approaching winter, the soil was warm against the soles of my feet. I imagined with equal measures of fascination and disquiet the seething activity below, the billions of nanoconstructors setting molecule upon molecule, endlessly building. These fields never lay fallow: four harvests per year, as kilometres of commercial piping grew fresh from the magic soil, regular as quarterly budgets. Continue reading NEW FICTION: THE PLASTIC ELF OF EXTRUSION VALLEY by David McGillveray

Is short fiction devalued by being available for free?

Gordon Van Gelder – editor-in-chief of the Magazine of Fantasy and Science Fiction – has opened up a debate about genre fiction short stories and their online availability. Understandably, as a publisher of a physical ink-on-paper magazine, he’s wondering if the sheer quantity of free fiction online has devalued the form in general:

Here at F&SF, we’re open to experimentation and for the past year or so, we’ve been publishing one reprint a month on our Website. Last month, the free story was “The Political Officer” by Charles Coleman Finlay. A few days ago, someone posted on our message board that he wanted to read that story. I explained that it was no longer on our Website but he could buy a copy of that back issue from us or from Fictionwise.

As I did so, I realized that I was putting a reader in a position where he had to decide if he would pay for something he could have had for free just a few days earlier… which doesn’t strike me as a good position. I know that I don’t like being asked to make such a choice.

So I started to wonder: has short fiction been devalued by the fact that so many places offer it for free online nowadays?

This is a question that interests me too, for obvious reasons. I run Futurismic because I care about getting good writing in front of the eyeballs that enjoy it, and I compile the Friday Free Fiction posts for the same reason.

The answers to Van Gelder’s questions suggest that some people do indeed think short fiction is devalued by there being more of it available for free, but that strikes me as being counter to basic economic theory – surely the good stuff becomes more valuable when there’s lots of rubbish? [Caveat – I am, by no means, an expert in economics.]

Of course, one’s definition of a good story or book is a very personal thing, and doubtless has a lot of connection to the demographic the reader belongs to, so I dare say there’s no definitive answer.

But nonetheless, I’d like to ask Futurismic‘s readers the same question, though with a different angle to it: do you perceive the short fiction we publish as being inferior because you don’t have to pay to read it? And what effect has the availability of free short stories had on your buying habits?

Nostalgia does science fiction a disservice

Old book jacket art for The Wailing Asteroid by Murray LeinsterNovelist Ian Sales makes an interesting point – a lot of the stories and novels held up as classics of the science fiction genre are actually very bad adverts for the modern form:

I’ve complained before about the undeserving admiration given to many science fiction novels and short stories of earlier decades. Such reverence frequently results in fans recommending these works to people wanting to try the genre. And that’s not a good thing. Readers new to the genre are not served well by recommendations to read Isaac Asimov, EE ‘Doc’ Smith, Robert Heinlein, or the like. Such fiction is no longer relevant, is often written with sensibilities offensive to modern readers, usually has painfully bad prose, and is mostly hard to find because it’s out of print. A better recommendation would be a current author – such as Richard Morgan, Alastair Reynolds, Iain M Banks, Ken MacLeod, Stephen Baxter, and so on.

I think Sales has a good point there. I came to science fiction through the authors publishing in the eighties, and as such I’ve found that a lot of the classics are, while interesting from a historical perspective, pretty unfulfilling reads. And hell knows being made to read some of Dickens’ more tedious works at school gave me a knee-jerk reaction to literary classics, too. [Murray Leinster cover scanned by J Levar]

Which authors would you recommend to a reader wanting to dip their toes into the genre, and why?