Tag Archives: science fiction

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M.J. Engh to be honoured by SFWA as 2009 Author Emerita

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We just got a press release from Jayme Lynn Blaschke of the SFWA:

Mary Jane Engh, author of Arslan and Wheel of the Winds among other works, will be honored as Author Emerita by the Science Fiction & Fantasy Writers of America for the 2009 Nebula Awards® Weekend in Los Angeles, California.

“Well, I hope ’emerita’ doesn’t mean ‘over the hill,’ but I’m truly honored — blown away, in fact,” Engh said. “It’s nice to know that somebody has noticed me.”

Under the pseudonym Jane Beauclerk, Engh published her first science fiction story, “We Serve the Star of Freedom,” in the July 1964 issue of the Magazine of Fantasy & Science Fiction. Over the next four decades, her short fiction appeared in a wide range of markets including Universe 1, Isaac Asimov’s Science Fiction Magazine and Arabesques.

Congratulations, Ms Engh! I’ll be entirely honest and say that I’ve never read anything she’s written, but I figure the SFWA don’t just give honours like that away for peanuts. If anyone knows where some of her fiction can be found on the web, do let us know, and we’ll stick the links up.

Blasphemous Geometries

All mediums are equal – an end to science fiction tribalism

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Another month, another inadequate pay-cheque. More empty days and suffocating nights alleviated only by cheap hooch, regrettable takeaways and the occasional all-too-brief orgasm. This is your life… and this is the return of Blasphemous Geometries.

Blasphemous Geometries by Jonathan McCalmont

The critical language of science fiction is balkanised according to the media form which the work being discussed belongs. Jonathan McCalmont suggests it is the critic’s place to encourage a merging of genre’s disparate media tribes. Continue reading All mediums are equal – an end to science fiction tribalism →

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Independent science fiction in action – Deadbooks.com and Phasma Ex Machina

It looks like people have busy over the summer; within the space of twenty-four hours, the Futurismic inbox has received news of two independent science fiction-related projects looking for an audience.

And because we like people who get out there and have a go under their own steam, we thought we’d give them a mention.

Deadbooks.com

Deadbooks.com logoWhat is Deadbooks.com? Here’s the blurb from the site:

Deadbooks.com is a massive Hyper-Serialization of Hasso Wuerslin’s SF-Horror series, The DeadBooks.

Spanning 150 chapters, involving 100 actors, and the cutting-edge sounds of musical artists worldwide, Deadbooks.com is a revolutionary mash-up of story-telling techniques.

The first ten-hour season is available now.

The first ten hour season?! You can’t fault the ambition there, can you? In his email, Wuerslin says the project has taken him eight years to finish:

“There may be purists out there who think I’m trying to kill ‘The Novel’, but I disagree. Why shouldn’t the novel stretch out in new directions; transform into a new form of entertainment?”

When CD-ROMs were the IT buzzword of the day, they promised us that multimedia novels would be ubiquitous – has the idea finally found a home on the web in the form of Deadbooks.com? Go take a look and find out, then come back and let us know what you think.

Phasma Ex Machina

Phasma Ex Machina logoPhasma Ex Machina is a forthcoming independent sf/horror movie which “follows the lives of two brothers and an electrical engineer trying to decipher a series of strange events. Everything changes when they discover that the distance between the living and the dead isn’t all that far.”

Phasma Ex Machina‘s producers are seeking feedback from the sf community about their concept. From the email:

“We are currently in the preproduction stages of the film and one of our foremost goals is to increase the authenticity of the supernatural and sci-fi genres. Your readers can give advice on what they would or wouldn’t like to see in a supernatural/sci-fi film.”

Hmm, crowdsourcing the test audiences, eh? From the reviews I’ve seen, I think George Lucas should have looked at doing something similar with his most recent output… If you’re intrigued and want to learn more, take a look around on the Phasma Ex Machina website. You can leave your feedback and opinions on their forum, too – but feel free to share ’em here as well, OK?

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Is “young adult” science fiction a force for good or evil?

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Unattended children will be towed at owner's expenseThe ladies of io9 kicked off a neatly polarised debate over the weekend with two opposing articles about YA or “young adult” science fiction. Charlie Jane Anders says that YA is science fiction’s salvation:

“While the “real” science fiction publishers are chasing a shrinking — and graying — readership, tweens and teens are discovering SF for themselves, thanks to books from a diverse range of writers. Best of all, YA science fiction isn’t aimed at a subculture, but at everybody of a particular age.”

Meanwhile Annalee Newitz begs us to stop writing young adult sf:

“… I object to the idea that young people need their own special, segregated genre of books, as if their minds are so dramatically different from adult minds that they require their own category of fantasy. Once a person has reached adolescence, relegating their reading material to its own gated subgenre seems at best condescending and at worst censorious.”

I’ll happily admit to falling into the latter camp. It’s not even a science fiction specific issue for me; no teenager enjoys being patronised with material specially designed for their age demographic, because all a teenager wants is to be treated like an adult. Plus I’ve worked in a public library, and I can tell you that a lot more adults borrow supposedly YA titles than kids in their early teens. [image by pingnews.com]

So, “Young Adult” books – a shot-in-the-arm for genre fiction, or a flash-in-the-pan from the marketing people?